TSG Postprints: Subject index
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Contributors:
Robin Hanson, Jennifer Cruise
Subject Index[edit | edit source]
Allied Organizations[edit | edit source]
Comité Nacional de Conservación Textil (Chilean National Committee for Textile Conservation) 10 Years in the Field of Conservation | 7:117 |
RAKSHA - Raising Awareness of Textile Conservation in India | 22:19 |
Analysis and Testing Methods[edit | edit source]
A Case Study Using Multiband and Hyperspectral Imaging for the Identification and Characterization of Materials on Archaeological Andean Painted Textiles | 24:23 |
Comparison of Five Microfading Tester (MFT) Designs | 20:144 |
A Context-Based Approach to Conserving Photographs on Textiles | 29:203 |
Dating Silk and other Innovations in Mass Spectrometry | 22:55 |
Deionized Water and its Reactivity – Could it be Damaging? | 5:12 |
Developing a Protocol for Analysis of Textile Finishes on Wool | 10:1 |
A Green Solvent For Textile Conservation?: Investigating The Use Of Cycosiloxane D5 For Textile Conservation Cleaning | 23:1 |
Measuring Silk Deterioration: Investigation into the Usefulness of High-Performance Size-Exclusion Chromatography (abstract) | 9:51 |
New Approaches in Comprehensive Mold Remediation and Recovery (poster abstract) | 24:121 |
Oriel Microfading Tester (MFT): A Brief Description | 20:135 |
A Spot-Test Directory for Material Characterization: A Collaborative Effort | 6:55 |
Technical Study of Painted Textiles: Surface Examination and Microscopical Analysis | 6:61 |
When Life Gives You Velvet ... Preservation Considerations In The Making Of A Period Shadow Box Frame | 23:191 |
Adhesive Analysis[edit | edit source]
Peel Strength and Reversibility of Adhesive Support Treatments on Textiles: The Nature of Bond Failure as Revealed by Scanning Electron Microscopy | 13:69 |
Use of Gel Poultices for Adhesive Removal | 19:184 |
A Preliminary Evaluation of Lining and Surface Patching Techniques for Doped Aircraft Fabric | 28:187 |
Colorfastness[edit | edit source]
The Creation, Implementation, and Safety of Digitally Printed Fabrics in Textile Conservation: Where are we in 2012? | 22:91 |
Influence of Nitrogen Gas and Oxygen Scavengers on Fading and Color Change in Dyed Textiles | 10:55 |
Microfade Testing of 19th Century Iron Gall Inks | 20:167 |
Photoyellowing and Photobleaching of Silk and Wool Fabrics Under Monochromatic and Multichromatic Light Radiation | 15:75 |
Preliminary Results from an Investigation into the Color Shift from Purple to Brown in a Set of Madder-dyed, Cylinder-printed Furnishing Fabrics from the Winterthur Museum | 22:116 |
PROfab Textile Paints: A Fabulous Alternative to Dyeing? | 29:241 |
Removing Dye Bleed from a Sampler: New Methods for an Old Problem | 22:78 |
Dye Identification[edit | edit source]
Analysis of Organic Dyes in Textiles by Direct Analysis in Real Time–Time-of-Flight Mass Spectrometry (abstract) | 24:113 |
Assembled Over Time: Analysis of Dyed Yarns in a Victorian Sample Book (abstract) | 17:77 |
A Case Study Using Multiband and Hyperspectral Imaging for the Identification and Characterization of Materials on Archaeological Andean Painted Textiles | 24:23 |
Establishing a Textile Dye Analysis Program at the Indianapolis Museum of Art | 23:33 |
Fiber-Safe Extraction of Red Mordant Dyes | 6:91 |
From North to South: The Conservation of Civil War Costume from the Tennessee State Museum | 24:36 |
Iron Degradation in Textiles: Applying a Paper Conservation Treatment to Textiles | 29:65 |
Identification, Characterization and Care of Mud-Coated Silks from Southeast China and Southeast Asia | 19:102 |
Identification of Dyes on Textiles from RI-1000, a 17th century Narragansett Indian Burial Site | 6:79 |
An Ongoing Mystery: Copper Kettles and Chilkat Blue | 29:99 |
A Question of Color for a 19th century Silk Fabric with Metal Threads | 13:27 |
The Unprecedented Discovery of the Royal Purple Dye on the Two Thousand Year-Old Royal Masada Textile | 7:23 |
Ambient Mass Spectrometry Analysis of Alizarin-Dyed Textile and Dye Transfer to Paper | 28:127 |
Fiber Identification[edit | edit source]
The Characterization and Identification of Azlons (Regenerated Protein Fibers) (abstract) | 14:21 |
The Characterization and Identification of Faux Suede Materials | 17:31 |
Dating Silk and other Innovations in Mass Spectrometry | 22:55 |
Fourier Transform-Infrared Microspectroscopy as an Effective Tool for Single Fiber Identification and Fiber Structural Analysis | 10:25 |
Hemp or Flax? A Holistic Approach to Bast Fiber Identification | 29:115 |
Optical Microscopy Techniques for Examination of Alpaca Hair Fibers: Application to Archaeological Textiles | 13:53 |
Splitting Hairs: A Sampling Technique for Fibers | 15:83 |
Uses of the Fiber Reference Image Library | 21:42 |
SEM Analysis of Metal Threads from the King’s Bed at Knole House, Kent, United Kingdom | 28:189 |
Materials Associated with Textiles[edit | edit source]
Characterization of Metal Threads From the Colonial Andes | 17:81 | |
Developing a Protocol for Analysis of Textile Finishes on Wool | 10:1 | |
Responsible Stewardship: Exploring Sustainability Within Conservation | 23:181 | |
Technical Study of Painted Textiles: Surface Examination and Microscopical Analysis | 6:61 |
Measuring Color Change[edit | edit source]
Assessing LED Lights for Textile Colorants | 24:85 |
Comparison of Five Microfading Tester (MFT) Designs | 20:144 |
Development of a Microfading Tester for Light Exposures Including Near-Ultraviolet Wavelengths | 20:181 |
Effects of Accelerated Heat and Light Aging on Textiles Marked with Fabric Marking Pens | 14:23 |
Effects of Light and Heat Aging on Selected Quilting Products Containing Adhesives | 13:13 |
Influence of Nitrogen Gas and Oxygen Scavengers on Fading and Color Change in Dyed Textiles | 10:55 |
Let There Be Light? An Investigation into Light-Induced Changes of the Early Synthetic Aniline Dye Magenta under Indoor Lighting Conditions | 28:111 |
Methodology of Color Measurement of Historic Textiles | 3:19 |
Oriel Microfading Tester (MFT): A Brief Description | 20:135 |
Photoyellowing and Photobleaching of Silk and Wool Fabrics Under Monochromatic and Multichromatic Light Radiation | 15:75 |
Preliminary Results from an Investigation into the Color Shift from Purple to Brown in a Set of Madder-dyed Cylinder-printed Furnishing Fabrics from the Winterthur Museum | 22:116 |
Taking Cues and Measuring Hues: Using Paper Conservation Methodology in the Light Bleaching of Textiles | 29:47 |
Let There Be Light? An Investigation into Light-Induced Changes of the Early Synthetic Aniline Dye Magenta under Indoor Lighting Conditions | 28:111 |
pH[edit | edit source]
Iron Degradation in Textiles: Applying a Paper Conservation Treatment to Textiles | 29:65 | |
pH Testing Methods in Textile Conservation | 5:20 | |
Preliminary Study of a Micro Extraction Method for Measuring the pH of Textiles | 15:63 |
Stain Analysis[edit | edit source]
Beneath the Grime: Measuring the Effects of Preservation Treatments for Textiles | 13:45 |
Effectiveness of Soil Removal by Two New Nonionic Surfactants, Orvus WA Paste and Surfactant Blends | 11:47 |
Removing Dye Bleed from a Sampler: New Methods for an Old Problem | 22:78 |
Archaeological Textiles[edit | edit source]
Underwater Archaeology[edit | edit source]
A Case Study Using Multiband and Hyperspectral Imaging for the Identification and Characterization of Materials on Archaeological Andean Painted Textiles | 24:23 |
Characterization of Metal Threads From the Colonial Andes | 17:81 |
Cleaning Strategies and Techniques for Prehispanic Funerary Bundles | 29:237 |
Conservation of Grave Garments from Spanish Colonial Santa Fe 1690-1710 | 1:46 |
Conservation Treatments Applied on Severely Damaged, Decomposed Sandals of King Tutankhamun | 28:193 |
The Effects of Wet-Cleaning on Dry-Site Archaeological Textiles: Results of a Study | 2:7 |
Evaluation of the Effects of Wet Treatments on Dry Site Archaeological Textiles, Phase One: Visible and Tensile Changes | 2:7 |
The Hidden Codex: An Introduction to Tezcatlipoca’s Smoking Mirror | 28:67 |
Identification of Dyes on Textiles from RI-1000, a 17th century Narragansett Indian Burial Site | 6:79 |
“If You Can’t Beat ‘em Join ‘em.” | 7:7 |
Initial Investigation into a Resinous Maya Burial Shroud | 12:1 |
Optical Microscopy Techniques for Examination of Alpaca Hair Fibers: Application to Archaeological Textiles | 13:53 |
Preservation of Maya Textile Fragments Excavated Ninety Years Ago in the Yucatán: A Closer Look | 7:12 |
Severely Degraded Textiles on Archaeological Artifacts at the Agora Excavations in Athens, Greece | 12:25 |
A Storage System for Archaeological Textile Fragments | 11:59 |
Textile Fragments Associated with Flaked Stone Symbols from the Maya Site of Altun Ha, Belize | 12:11 |
Textile Pseudomorphs From 17th century Native American Burials | 6:70 |
The Unprecedented Discovery of the Royal Purple Dye on the Two Thousand Year-Old Royal Masada Textile | 7:23 |
Working with Limited Resources: Improving Storage Conditions for Archaeological Textiles at University of Concepción | 24:71 |
Cellulolytic Biodegradation of Cotton Fibers from a Deep-Ocean Environment | 9:1 | |
Conserving a Unique Waterlogged Silk Bandana from the H.L Hunley Submarine (1864) | 18:38 | |
Hemp or Flax? A Holistic Approach to Bast Fiber Identification | 29:115 | |
Identification and Degradation Analysis of Textiles Recovered from the Queen Anne’s Revenge Shipwreck | 11:27 | |
Waterlogged Textiles Recovered from the H.L. Hunley: Identification and Conservation of Textiles Belonging to Lt. George Dixon | 19:129 |
Carpets[edit | edit source]
An Alternate Approach for Rug and Carpet Cleaning | 19:171 |
Authenticating an Anatolian Carpet at the Los Angeles County Museum of Art | 17:17 |
Comparison of Treatments for Damage in Oriental Carpets | 2:46 |
Conservation of a Safavid Persian Carpet Fragment: Two Different Approaches to Treatment in 1980 and 2010 | 21:81 |
Removal of Some Old Resins from Ancient Pile-Textiles: An Applied Study on a Turkish Rug | 19:116 |
Tread on Me! Structural Stabilization of Hooked Rugs with Visual Integration: A Technique for Filling Lost Pile | 22:123 |
Costume/Dress/Costume Accessories[edit | edit source]
An Arm and a Leg | 29:221 | |
Conserving America's Pastime: The Treatment of Baseball Jerseys | 29:187 | |
Custom Skirt Hanger | 15:87 | |
An Eighteenth century Liturgical Garment Reveals Its Secrets | 2:66 | |
From North to South: The Conservation of Civil War Costume from the Tennessee State Museum | 24:36 | |
Hanger-Mannequins at the United States Holocaust Memorial Museum | 10:69 | |
The Modern Bridal Gown: The Manufacture, Distribution, and Care of a Ritual Garment at the Turn of the 21st century (abstract) | 9:43 | |
Online Access to and Preservation of a Multi-component Sketch Collection | 21:54 | |
Plastics in Twentieth-century Costume Collections | 14:125 | |
Relying on the Kindness of Strangers: Gathering Information for the Treatment of a Suit of Japanese Samurai Armor | 24:53 | |
Second Time’s the Curse: The Shattered Silks of Schiaparelli | 15:43 | |
Yet Another Padded Hanger | 12:133 |
Mounting[edit | edit source]
An Arm and a Leg | 29:221 |
Belt It! Solutions to a Dressing Problem | 18:56 |
Blown Up: Collaborative Conservation and Sustainable Treatment for an Inflatable Dress | 24:11 |
The Conservation, Restoration, and Exhibition of a 19th century Dress from the Merchant’s House Museum | 14:43 |
Costume Dilemmas: “Dangerous Liaisons” | 16:55 |
Covering Up a Sticky Situation | 29:173 |
Dancing on a Wire: Articulation Solutions for Mannequins in the Circle of Dance Exhibition at NMAI-NY | 23:141 |
Update – Costume Display Methods | 6:9 |
A Versatile Mannequin Design | 21:30 |
Confronting Challenges and Considering Consensus in the Conservation of Eighteenth Century Fashion | 28:31 |
Treatment[edit | edit source]
Adhesive Smackdown: Consolidating a Synthetic Leather Wrestling Costume (poster abstract) | 24:118 |
Anna Pavlova’s Tutu: Compensation for Loss | 7:50 |
Blown Up: Collaborative Conservation and Sustainable Treatment for an Inflatable Dress | 24:11 |
Collaborative Treatment of a Native American Robe from the Miami Community with Silk Ribbonwork and Metal Decoration | 12:85 |
Compensation/Restoration of a Tuscarora Beaded Cloth with Tuscarora Beadworkers | 7:35 |
The Conservation of a Fan Using Microfiber Fabrics | 3:57 |
Conservation of the Press Dress: A Video by the Australian Broadcast Company, Sunday Arts Segment (video) | 18 |
The Conservation, Restoration, and Exhibition of a 19th century Dress from the Merchant’s House Museum | 14:43 |
Conserving America's Pastime: The Treatment of Baseball Jerseys | 29:187 |
Costume Dilemmas: “Dangerous Liaisons” | 16:55 |
Covering Up a Sticky Situation | 29:173 |
The Creation, Implementation, and Safety of Digitally Printed Fabrics in Textile Conservation: Where are we in 2012? | 22:91 |
Evaluation of the Forms Supporting Iconic Costumes at the National Museum of American History: Washington, Franklin, Lincoln and the First Ladies |
20:9 |
From North to South: The Conservation of Civil War Costume from the Tennessee State Museum | 24:36 |
Hats off to Wet Cleaning! | 5:87 |
Iron Degradation in Textiles: Applying a Paper Conservation Treatment to Textiles | 29:65 |
It’s Impossible to be an Eighteenth-century British Loyalist Without a Waistcoat and Ancillary Items | 16:31 |
Investigation, Engineering, and Conservation Combined: The Reconstruction of a Seventeenth century Dress | 1:26 |
Merging Disciplines: Preparing a Matisse Serigraph for Display | 23:93 |
The Modern Bridal Gown: The Manufacture, Distribution, and Care of a Ritual Garment at the Turn of the 21st century (abstract) | 9:43 |
Mrs. Butters Goes to the Ball Conservation of the Press Dress | 18:72 |
The Observer Effect in Conservation: Changes in Perception and Treatment of a Man's Silk Suit c. 1745 | 21:17 |
Repair of Twentieth-century Leavers Lace | 22:70 |
A Reporter, an Archive, a Dress and its Conservator, Going Viral in the 21st Century | 22:42 |
Confronting Challenges and Considering Consensus in the Conservation of Eighteenth Century Fashion | 28:31 |
Documentation[edit | edit source]
Application of Digital Image Correlation to Tapestry and Textile Condition Assessment | 19:156 |
Conservation Training on Three Continents: One Student’s Exposure to Different Treatment and Documentation Practices | 15:31 |
Documenting and Implementing Conservation Requests from Native Communities | 15:9 |
Sleeping Beauty: The Documentation and Treatment of an 1880s Herter Brothers Bergère | 18:1 |
Too Much Information: Finding The Balance Between Aiding Researchers and Providing a Blueprint for Forgery (abstract) | 17:75 |
Waterlogged Textiles Recovered from the H.L. Hunley: Identification and Conservation of Textiles Belonging to Lt. George Dixon | 19:129 |
Pointing in the Right Direction: Identifying Technological Features to Orient Navajo Textiles | 28:97 |
Photographic Documentation[edit | edit source]
Addressing Some Problems in Textile Photodocumentation | 6:46 |
Camera Rolling, Speed...and Action: Exhibiting the Conservation of Banners through Film | 22:7 |
Online Access to and Preservation of a Multi-component Sketch Collection | 21:54 |
Photographing Textiles: Answers to Questions Submitted by the AIC Textile Specialty Group | 6:104 |
The Role of Historic Documentation in a Contemporary Textile Project | 15:19 |
Take a Picture; It'll Last Longer: How a Ceiling -Mounted Digital Camera Helped Improve Preservation and Access to a Quilt Collection | 22:138 |
Thirty Years of Microscope Imaging Technologies in the Textile Conservation Department, Metropolitan Museum of Art | 19:77 |
Uses of the Fiber Reference Image Library | 21:42 |
Application of Multispectral/Multiband Imaging in the Practice of Textile Conservation: Documentation, Investigation, and Communication | 28:83 |
Types of Documentation[edit | edit source]
Application of Digital Image Correlation to Tapestry and Textile Condition Assessment | 19:156 |
Artist Interviews as Tools for Diligent Conservation Practice | 17:107 |
Beyond Paper: Media Options in Conservation Documentation | 6:31 |
Camera Rolling, Speed...and Action: Exhibiting the Conservation of Banners through Film | 22:7 |
Digitization Video of Chinese Last Empire Dress Code | 19:180 |
Documentation: More Than Just Paper – New York State Style | 6:37 |
An Eighteenth century Liturgical Garment Reveals Its Secrets | 2:66 |
From Archive to Database to Research Tool: The Transformation of an Uncatalogued Sample Collection into an Accessible Database | 8:71 |
The Hyde House Furnishing Plan: Scholarship and Science to the Rescue | 16:11 |
Online Access to and Preservation of a Multi-component Sketch Collection | 21:54 |
Preserving the Historic Document: Minimal Conservation Intervention for 18th- and 19th-century Needlework and Pictorial Embroidery | 10:89 |
The Role of Historic Documentation in a Contemporary Textile Project | 15:19 |
Uses of the Fiber Reference Image Library | 21:42 |
Emergency Preparedness, Response and Recovery[edit | edit source]
The Burned Tapestries of the Cathedral Church of St. John The Divine: What Can we Learn from the Ashes? | 14:65 |
Disaster Recovery at the University of Alberta, or Every Flood has a Silver Lining | 8:45 |
Disaster Recovery: Teaching Textile Salvage Techniques to the First Response Team | 8:39 |
The Influence of Disaster Recovery on the Reinstallation of Historic Wall Coverings | 7:94 |
Observations on Soot Removal from Textiles | 8:63 |
Rescuing Water Damaged Textiles During L.A.’s Urban Riots | 3:38 |
Comparison of Dry-Cleaning Sponges Used to Remove Soot from Textiles | 28:179 |
Environmental Concerns[edit | edit source]
An Old Case of New Display: Contemporary and Historic Fashion at the Victoria and Albert Museum | 23:57 |
Climate and Conservation | 2:31 |
Creative Approaches to Integrated Pest Management: Engaging Museum Staff and Creating Buy-In | 29:239 |
The Effect of Freeze-Drying on Selected Properties of Wool Fabric | 8:53 |
Effect of the Environment on the Degradation of Silk: A Review | 2:14 |
Observations on Soot Removal from Textiles | 8:63 |
Oxidation Products in Artificially Aged Cellulose Film | 10:39 |
Renewing the Past: Pressure Mounting Two Large Fragmented Flags | 23:161 |
Responsible Stewardship: Exploring Sustainability Within Conservation | 23:181 |
Trial by Fire: Fire Retardants Ignite Research Project on Exhibit Case Materials | 13:1 |
When Life Gives You Velvet ... Preservation Considerations In The Making Of A Period Shadow Box Frame | 23:191 |
Comparison of Dry-Cleaning Sponges Used to Remove Soot from Textiles | 28:179 |
Biological Attack[edit | edit source]
The Effect of Freeze-Drying on Selected Properties of Wool Fabric | 8:53 | |
Hair Consolidation and Treatment of an Insect Damaged Dancing Hat from Sierra Leone | 16:87 | |
Insect Infestation: A Large Tapestry’s Fumigation and Stabilization for Storage | 8:9 | |
New Approaches in Comprehensive Mold Remediation and Recovery (poster abstract) | 24:121 | |
Stressed About Pests? A Panel-Led Discussion on Integrated Pest Management (abstract) | 24:116 | |
Summary of Potential Artifact Damage from Low Temperature Pest Management | 12:75 |
Light[edit | edit source]
Assessing LED Lights for Textile Colorants | 24:85 |
Comparison of Five Microfading Tester (MFT) Designs | 20:144 |
Development of a Microfading Tester for Light Exposures Including Near-Ultraviolet Wavelengths | 20:181 |
Effects of Accelerated Heat and Light Aging on Textiles Marked with Fabric Marking Pens | 14:23 |
Effects of Light and Heat Aging on Selected Quilting Products Containing Adhesives | 13:13 |
Oriel Microfading Tester (MFT): A Brief Description | 20:135 |
Oxidation Products in Artificially Aged Cellulose Film | 10:39 |
Photoyellowing and Photobleaching of Silk and Wool Fabrics Under Monochromatic and Multichromatic Light Radiation | 15:75 |
Protecting the Most Important, Most Exhibited and Most Fugitive Museum Objects from Light-Fading | 20:156 |
An Enlightened Perspective: Balancing Artist Intent with Conservation Concerns | 28:141 |
Ethnographic Textiles[edit | edit source]
The Cleaning of an 18th Century Finger Woven Wool Sash: A Practical Twist on Common Wet Cleaning Methods | 19:145 |
Cleaning Strategies and Techniques for Prehispanic Funerary Bundles | 29:237 |
Collaborative Treatment of a Native American Robe from the Miami Community with Silk Ribbonwork and Metal Decoration | 12:85 |
Compensation/Restoration of a Tuscarora Beaded Cloth with Tuscarora Beadworkers | 7:35 |
Conservation and Assembly of an Ethnographic Textile | 14:99 |
Conservation of Maori Textiles Decorated with Traditional Dyes | 11:1 |
The Conservation of Three Hawaiian Feather Cloaks (abstract) | 20:114 |
Crossing the Boundaries between Conservation Disciplines in the Treatment of Asian Thangkas | 22:106 |
Determining Quality in a Royal Kuba Overskirt: Changing Craft-Habit or Pastiche? | 17:1 |
Finding the Ease: Approaches to Mounting and Installation at the Art Institute of Chicago | 23:43 |
Hair Consolidation and Treatment of an Insect Damaged Dancing Hat from Sierra Leone | 16:87 |
An Ongoing Mystery: Copper Kettles and Chilkat Blue | 29:99 |
Pointing in the Right Direction: Identifying Technological Features to Orient Navajo Textiles | 28:97 |
Relying on the Kindness of Strangers: Gathering Information for the Treatment of a Suit of Japanese Samurai Armor | 24:53 |
Retaining the Unknown: Ethical Considerations and Treatment of a South African Beaded Textile | 21:68 |
The Use of Paper-Based Materials for the Treatment of Plant Fibers | 28:49 |
Working with Limited Resources: Improving Storage Conditions for Archaeological Textiles at University of Concepción | 24:71 |
Exhibition[edit | edit source]
An Arm and a Leg | 29:221 |
An Old Case of New Display: Contemporary and Historic Fashion at the Victoria and Albert Museum | 23:57 |
Assessing LED Lights for Textile Colorants | 24:85 |
Belt It! Solutions to a Dressing Problem | 18:56 |
Confronting Challenges and Considering Consensus in the Conservation of Eighteenth Century Fashion | 28:31 |
In Consideration of the Thangka | 24:97 |
Cradle System for Tapestry Installation | 7:89 |
The Effects of Long Term Display on Previous Treatments | 20:102 |
An Enlightened Perspective: Balancing Artist Intent with Conservation Concerns | 28:141 |
Preventive Textile Conservation Care for a Collection of Functional Altar Frontals | 9:25 |
Protecting the Most Important, Most Exhibited and Most Fugitive Museum Objects from Light-Fading | 20:156 |
The QR Code Quilt: Embedding Textile Conservation Outreach into the Fabric of an Exhibition | 22:32 |
Take a Picture; It'll Last Longer: How a Ceiling -Mounted Digital Camera Helped Improve Preservation and Access to a Quilt Collection | 22:138 |
Trial by Fire: Fire Retardants Ignite Research Project on Exhibit Case Materials | 13:1 |
A View from the Top: Reinstallation of the Rhode Island State House Tapestries | 1:6 |
A Visit from Kermit the Frog and Friends: A Collaborative Exhibition Between the Jim Henson Legacy and the National Museum of American History (abstract) | 18:100 |
When Life Gives You Velvet ... Preservation Considerations In The Making Of A Period Shadow Box Frame | 23:191 |
Working with Limited Resources: Improving Storage Conditions for Archaeological Textiles at University of Concepción | 24:71 |
Mounts[edit | edit source]
An Arm and a Leg | 29:221 |
An Old Case of New Display: Contemporary and Historic Fashion at the Victoria and Albert Museum | 23:57 |
Belt It! Solutions to a Dressing Problem | 18:56 |
Catch the Wave: A Flexible New Option for Quilt Display | 14:77 |
The Conservation, Restoration, and Exhibition of a 19th century Dress from the Merchant’s House Museum | 14:43 |
In Consideration of the Thangka | 24:97 |
Dancing on a Wire: Articulation Solutions for Mannequins in the Circle of Dance Exhibition at NMAI-NY | 23:141 |
The Development of a Sectional Trampoline Mount, Or How to Fit an 8 by 12 Foot Framed Flag Into an Elevator with a 7 by 5 Foot Door | 14:85 |
Development of the “Sow’s Ear” Mount and how it is Affixed to the Wall: A Custom Contour Exhibit Support for Textiles | 13:83 |
Dewdrops on an Iris: Uses of Gels and Crepeline in the Treatment of a 20th Century Japanese Silk Painting | 29:21 |
Display Methods for Small Textiles | 6:12 |
Evaluation of the Forms Supporting Iconic Costumes at the National Museum of American History: Washington, Franklin, Lincoln and the First Ladies | 20:9 |
Failure to Bind: A Re-Examination of the Aging of Hook and Loop Fasteners | 20:115 |
Finding the Ease: Approaches to Mounting and Installation at the Art Institute of Chicago | 23:43 |
Ferrous Attractions: The Science Behind The Magic | 23:125 |
Hanger-Mannequins at the United States Holocaust Memorial Museum | 10:69 |
The Humming Bird 2: Using Fosshape as an Alternative Backing for Fiber Art Sculpture (poster abstract) | 24:123 |
Mounting Large Textiles | 6:14 |
Mounts Altered: Mounting Textiles to Meet the Needs of Clients | 16:1 |
Pressed and Presented: Pressure Mounting Textiles–History and Current Practice at the George Washington University Museum and the Textile Museum | 29:159 |
Relying on the Kindness of Strangers: Gathering Information for the Treatment of a Suit of Japanese Samurai Armor | 24:53 |
Rigid Mount Support Systems for the Exhibition of Textiles Using Less Intrusive Sewing Methods | 3:47 |
Update – Costume Display Methods | 6:9 |
A Versatile Mannequin Design | 21:30 |
A Flexible T-Bar Mount System for Textiles | 28:159 |
An Introduction to the Triboelectric Series | 28:163 |
Old and New Solutions to Dissipate Static Charge for Plexiglas Pressure Mounts | 28:173 |
Fakes/Forgeries[edit | edit source]
“Buyid” Silks at the Textile Museum | 17:63 | |
Dealing with Forgeries at the United States Holocaust Memorial Museum | 10:15 | |
Determining Quality in a Royal Kuba Overskirt: Changing Craft-Habit or Pastiche? | 17:1 | |
Spiritual, But Fake? | 17:47 | |
Too Much Information: Finding The Balance Between Aiding Researchers and Providing a Blueprint for Forgery (abstract) | 17:75 |
Furnishing Fabrics/Furniture/Upholstery[edit | edit source]
Basket Cases: Two Upholstery Treatments Composed of Plant Materials | 4:27 |
The Conservation of Frederic E. Church’s Leather Arm Chair | 12:67 |
The Conservation of Painted Wall Coverings from Clayton House, Pittsburgh, Pennsylvania | 2:60 |
Conservation of Wall Coverings at Gillette Castle | 14:55 |
For the Public Eye: The Excavation and Return of Original Upholstery Chosen by Mrs. Anna Ramsey for a Reception Room Suite of Furnishings from 1872 | 14:33 |
Finding Support: Reassessing and Developing a new Support System for Original Upholstery | 20:41 |
Form and Function: Fifties Furniture Becomes Fine Art | 14:115 |
It's a Cover Up: The Use of Japanese Tissue Paper in the Conservation of the Embellished Hangings From the Spangled Bed CA. 1621 | 29:83 |
Not Much Left: Digitally Recreating Upholstery is a Group Effort | 20:31 |
Sleeping Beauty: The Documentation and Treatment of an 1880s Herter Brothers Bergère | 18:1 |
Treatment of a Suite of Baroque Revival Style Seating Furniture | 23:17 |
Upholstered Replacement Showcovers and Furnishings Approached as Compensation for Loss | 7:108 |
SEM Analysis of Metal Threads from the King’s Bed at Knole House, Kent, United Kingdom | 28:189 |
Handling and Moving[edit | edit source]
Finding the Ease: Approaches to Mounting and Installation at the Art Institute of Chicago | 23:43 | |
Pressed and Presented: Pressure Mounting Textiles–History and Current Practice at the George Washington University Museum and the Textile Museum | 29:159 | |
Slings and Arrows: Safe Costume Transport (abstract) | 15:51 |
Health and Safety[edit | edit source]
A Disaster? Injuring Ourselves Through the Work We Love | 8:79 | |
Germ Theory | 14:11 | |
A Green Solvent For Textile Conservation?: Investigating The Use Of Cycosiloxane D5 For Textile Conservation Cleaning | 23:1 | |
Measuring your Color Vision with a Glenn Colorule | 22:103 | |
New Approaches in Comprehensive Mold Remediation and Recovery (poster abstract) | 24:121 | |
Responsible Stewardship: Exploring Sustainability Within Conservation | 23:181 | |
Results of an Ergonomics Survey for Textile Conservators | 9:45 |
History of Textile Conservation[edit | edit source]
Conservation of a Safavid Persian Carpet Fragment: Two Different Approaches to Treatment in 1980 and 2010 | 21:81 |
In Consideration of the Thangka | 24:97 |
The Effects of Long Term Display on Previous Treatments | 20:102 |
Evaluating Textile Treatments: Discussing the State-of-the-Art | 1:17 |
Interdisciplinary Philosophies. Textiles and Paper: A Common Ground | 4:7 |
The Observer Effect in Conservation: Changes in Perception and Treatment of a Man's Silk Suit c. 1745 | 21:17 |
Recent Evolution in Textile Conservation | 10:101 |
Reconstruction, Reproduction, Replication, Re-Creation: Synonyms in the Costume History and Textile Conservation Literature? A Matter of Perspective | 16:41 |
Reevaluating the Crafts Traditions of Textile Conservation (abstract) | 8:85 |
Retaining the Unknown: Ethical Considerations and Treatment of a South African Beaded Textile | 21:68 |
The Saga of New York State’s Battle Flags: How to Fund Conservation for a “Heritage at Risk” | 9:49 |
Sustaining Tacit and Embedded Knowledge in Textile Conservation and Textile and Dress Collections | 24:1 |
Why we do what we do: ethics and decision-making (panel discussion) | 21:8 |
A Lot of Nitpicking: Documentation of Tom Welter’s Painted Silk Battle Flag Encapsulation Method and Materials | 28:1 |
The Mortlake Horses: A Collaborative Approach to the Conservation of a Seventeenth-Century British Tapestry at the Metropolitan Museum of Art | 28:17 |
Modern Materials[edit | edit source]
Adhesive Smackdown: Consolidating a Synthetic Leather Wrestling Costume (poster abstract) | 24:118 | |
An Arm and a Leg | 29:221 | |
Blown Up: Collaborative Conservation and Sustainable Treatment for an Inflatable Dress | 24:11 | |
A Context-Based Approach to Conserving Photographs on Textiles | 29:203 | |
Emergence of “Antique” Synthetic Textiles | 23:75 | |
The Humming Bird 2: Using Fosshape as an Alternative Backing for Fiber Art Sculpture (poster abstract) | 24:123 | |
Manufactured-Fiber Conservation: A Cause for Concern? | 9:11 | |
Oxidation Products in Artificially Aged Cellulose Film | 10:39 | |
Plastics in Twentieth-century Costume Collections | 14:125 | |
PROfab Textile Paints: A Fabulous Alternative to Dyeing? | 29:241 | |
Removing Modern Accretions: Hot-Melt Adhesive, Chewing Gum, and Pressure-Sensitive Tape | 23:209 | |
Responsible Stewardship: Exploring Sustainability Within Conservation | 23:181 | |
The Use of Reemay in Wet Cleaning | 5:64 | |
The Uses of Nonwoven Fabrics in Conservation | 20:55 | |
The Conservation of a Fan Using Microfiber Fabrics | 3:57 |
Plant Fibers[edit | edit source]
Basket Cases: Two Upholstery Treatments Composed of Plant Materials | 4:27 |
Hemp or Flax? A Holistic Approach to Bast Fiber Identification | 29:115 |
The Use of Paper-Based Materials for the Treatment of Plant Fibers | 28:49 |
Storage[edit | edit source]
Collections Care at the Antonio Ratti Textile Center Metropolitan Museum of Art, New York | 15:1 | |
In Consideration of the Thangka | 24:97 | |
Costume and Textile Storage Upgrade at the Glenbow Museum, Calgary, Alberta | 18:21 | |
Custom Skirt Hanger | 15:87 | |
Hanger-Mannequins at the United States Holocaust Memorial Museum | 10:69 | |
Identification, Characterization and Care of Mud-Coated Silks from Southeast China and Southeast Asia | 19:102 | |
Improving Accessibility of a Textile and Fashion Arts Collection at The Museum of Fine Arts, Boston | 15:53 | |
The Modern Bridal Gown: The Manufacture, Distribution, and Care of a Ritual Garment at the Turn of the 21st century (abstract) | 9:43 | |
Out of the Box: New Costume and Textile Storage at the Philadelphia Museum of Art | 19:52 | |
A Storage System for Archaeological Textile Fragments | 11:59 | |
Water Shield Testing for the Philadelphia Museum of Art at Borroughs Site (video) | 19 | |
Working with Limited Resources: Improving Storage Conditions for Archaeological Textiles at University of Concepción | 24:71 | |
Yet Another Padded Hanger | 12:133 |
Tapestries[edit | edit source]
Application of Digital Image Correlation to Tapestry and Textile Condition Assessment | 19:156 |
The Burned Tapestries of the Cathedral Church of St. John The Divine: What Can we Learn from the Ashes? | 14:65 |
Cradle System for Tapestry Installation | 7:89 |
Erasing A Problematic Past: A New Application of Paper Conservation Expertise in the Corrective Treatment of a 17th Century Chinese Tapestry | 29:35 |
The Evolution of American Tapestry Conservation | 10:75 |
Finding the Ease: Approaches to Mounting and Installation at the Art Institute of Chicago | 23:43 |
Insect Infestation: A Large Tapestry’s Fumigation and Stabilization for Storage | 8:9 |
Mirror Imaging: The Art of Tapestry Revisited | 11:11 |
A View from the Top: Reinstallation of the Rhode Island State House Tapestries | 1:6 |
The Mortlake Horses: A Collaborative Approach to the Conservation of a Seventeenth-Century British Tapestry at the Metropolitan Museum of Art | 28:17 |
Teaching/Training/Collaborating[edit | edit source]
Another Perspective: Voices from Outside Textile Conservation (panel discussion) | 21:1 |
Blown Up: Collaborative Conservation and Sustainable Treatment for an Inflatable Dress | 24:11 |
A Case of Compromise: Working with Guest Curators | 16:21 |
The Compromises and Rewards of Textile Conservation Training in Far Flung Places from Madagascar to Bhutan | 16:65 |
A Conservation "Circuit Rider:" An Innovative Approach to Preservation for Dispersed Collections | 22:46 |
Conservation Outreach Activities at the Minnesota Historical Society | 22:1 |
Conservation Training on Three Continents: One Student’s Exposure to Different Treatment and Documentation Practices | 15:31 |
Creative Approaches to Integrated Pest Management: Engaging Museum Staff and Creating Buy-In | 29:239 |
Crossing the Boundaries between Conservation Disciplines in the Treatment of Asian Thangkas | 22:106 |
Cultural Exchange Programs: Sharing Conservation Information in Azerbaijan | 20:22 |
Digitization Video of Chinese Last Empire Dress Code | 19:180 |
Documenting and Implementing Conservation Requests from Native Communities | 15:9 |
Ferrous Attractions: The Science Behind The Magic | 23:125 |
A Peruvian-American Conservation Collaboration | 18:88 |
Pre-Program Textile Conservation Internships | 3:65 |
The QR Code Quilt: Embedding Textile Conservation Outreach into the Fabric of an Exhibition | 22:32 |
RAKSHA - Raising Awareness of Textile Conservation in India | 22:19 |
A Reporter, an Archive, a Dress and its Conservator, Going Viral in the 21st Century | 22:42 |
The Seminar Workshop as an Educational Model: Teaching Textile Conservation at the Escuela Nacional de Conservación, Restauración y Museografía | 15:37 |
Sustaining Tacit and Embedded Knowledge in Textile Conservation and Textile and Dress Collections | 24:1 |
A Visit from Kermit the Frog and Friends: A Collaborative Exhibition Between the Jim Henson Legacy and the National Museum of American History (abstract) | 18:100 |
Weavers Protecting Their Own Heritage: A Conservator’s Experience in the Community Museum of Teotitlán del Valle, Oaxaca, Mexico | 20:121 |
The Mortlake Horses: A Collaborative Approach to the Conservation of a Seventeenth-Century British Tapestry at the Metropolitan Museum of Art | 28:17 |
Pointing in the Right Direction: Identifying Technological Features to Orient Navajo Textiles | 28:97 |
Textile Labs/Conservation Centers[edit | edit source]
Balancing Act: Determining Textile Conservation Treatments Working within Budgetary Concerns of the Client and the Textile Conservation Center | 9:53 | |
Collections Care at the Antonio Ratti Textile Center Metropolitan Museum of Art, New York | 15:1 | |
Conservation Outreach Activities at the Minnesota Historical Society | 22:1 | |
The Department of Textile Conservation at the Metropolitan Museum of Art | 19:66 | |
The Design, Planning and Implementation of the Antonio Ratti Textile Center Textile Study and Storage Facility at the Metropolitan Museum of Art | 7:87 | |
Designing Workspaces | 19:1 | |
Historic Royal Palaces Textile Conservation Studios: An Introduction | 7:80 | |
Improving Accessibility of a Textile and Fashion Arts Collection at The Museum of Fine Arts, Boston | 15:53 | |
Inheriting the New Lab | 19:10 | |
New Lab Space, New De Young | 19:33 | |
Out of the Box: New Costume and Textile Storage at the Philadelphia Museum of Art | 19:52 | |
Recovery and Conservation of the Textile Collections of the National Museum of Music [Cuba] | 22:63 | |
Renovating the Preservation Research and Testing Division Laboratories at the Library of Congress | 19:24 | |
Textile Conservation Treatments in a New Space | 19:16 | |
Trading Places: The New Gabriella and Leo Beranek Textile and Fashion Arts Conservation Laboratory, Museum of Fine Arts, Boston | 19:43 |
Textile Conservation Equipment[edit | edit source]
Costume and Textile Storage Upgrade at the Glenbow Museum, Calgary, Alberta | 18:21 | |
The Development and Installation of a Purified Water System | 5:15 | |
From Tubs to Tables: A Survey of Wet Cleaning Equipment Used in Textile Conservation | 5:53 | |
A Hand-Held Surface Suction Device: Design, Construction and Application | 17:93 | |
An Inexpensive, Dis-Assemblable Wash Table for the Small Textile Lab | 29:229 | |
Take a Picture; It'll Last Longer: How a Ceiling -Mounted Digital Camera Helped Improve Preservation and Access to a Quilt Collection | 22:138 | |
Wet Cleaning of an Oversized Textile on a Vacuum Wash Table: A Treatment Phase of the Gondar Hanging at the Canadian Conservation Institute | 5:79 | |
Vacuuming Textiles: A New Kind of Cost Benefit Analysis | 19:194 |
Treatment[edit | edit source]
An Alternate Approach for Rug and Carpet Cleaning | 19:171 |
Anna Pavlova’s Tutu: Compensation for Loss | 7:50 |
Balancing Act: Determining Textile Conservation Treatments Working within Budgetary Concerns of the Client and the Textile Conservation Center | 9:53 |
Beneath the Grime: Measuring the Effects of Preservation Treatments for Textiles | 13:45 |
Camera Rolling, Speed...and Action: Exhibiting the Conservation of Banners through Film | 22:7 |
A Chilling Experience: The Treatment of a Robert Rauschenberg “Hoarfrost” Painting | 13:95 |
Collaborative Treatment of a Native American Robe from the Miami Community with Silk Ribbonwork and Metal Decoration | 12:85 |
Comparative Approaches in Textile Conservation: The Whalley Abbey Vestments and Altar Frontal | 20:88 |
Conservation and Assembly of an Ethnographic Textile | 14:99 |
The Conservation of a Fan Using Microfiber Fabrics | 3:57 |
Conservation of a Felt Sculpture | 20:1 |
The Conservation of a Historical Object: The Flag on Which Chilean Independence was Sworn in 1818 | 20:128 |
Conservation of Grave Garments from Spanish Colonial Santa Fe 1690-1710 | 1:46 |
Conservation of Maori Textiles Decorated with Traditional Dyes | 11:1 |
The Conservation of Painted Wall Coverings from Clayton House, Pittsburgh, Pennsylvania | 2:60 |
Conservation of the Press Dress: A Video by the Australian Broadcast Company, Sunday Arts Segment (video) | 18 |
The Conservation of Richard Greene or How an Object Became my Friend | 14:93 |
Conservation of a Safavid Persian Carpet Fragment: Two Different Approaches to Treatment in 1980 and 2010 | 21:81 |
The Conservation of Three Hawaiian Feather Cloaks (abstract) | 20:114 |
The Conservation, Restoration, and Exhibition of a 19th century Dress from the Merchant’s House Museum | 14:43 |
Conservation Training on Three Continents: One Student’s Exposure to Different Treatment and Documentation Practices | 15:31 |
Conservation of Wall Coverings at Gillette Castle | 14:55 |
Conserving a Unique Waterlogged Silk Bandana from the H.L Hunley Submarine (1864) | 18:38 |
Conserving the Wright Brothers’ 1905 Flyer III | 12:57 |
The Cost of Conservation: Preserving a National Treasure – The Star-Spangled Banner Project | 9:19 |
Costume Dilemmas: “Dangerous Liaisons” | 16:55 |
Crossing the Boundaries between Conservation Disciplines in the Treatment of Asian Thangkas | 22:106 |
Curatorial and Conservation Considerations for a 14th-15th century Mamluk Cap | 6:17 |
The Effects of Long Term Display on Previous Treatments | 20:102 |
Evaluating Textile Treatments: Discussing the State-of-the-Art | 1:17 |
The Evolution of American Tapestry Conservation | 10:75 |
From North to South: The Conservation of Civil War Costume from the Tennessee State Museum | 24:36 |
Investigation, Engineering, and Conservation Combined: The Reconstruction of a Seventeenth century Dress | 1:26 |
Merging Disciplines: Preparing a Matisse Serigraph for Display | 23:93 |
The Modern Bridal Gown: The Manufacture, Distribution, and Care of a Ritual Garment at the Turn of the 21st century (abstract) | 9:43 |
Mrs. Butters Goes to the Ball Conservation of the Press Dress | 18:72 |
The Observer Effect in Conservation: Changes in Perception and Treatment of a Man's Silk Suit c. 1745 | 21:17 |
Preserving the Historic Document: Minimal Conservation Intervention for 18th- and 19th-century Needlework and Pictorial Embroidery | 10:89 |
Retaining the Unknown: Ethical Considerations and Treatment of a South African Beaded Textile | 21:68 |
Revisiting the Treatment of 12th century Mongolian Deels | 20:67 |
Sleeping Beauty: The Documentation and Treatment of an 1880s Herter Brothers Bergère | 18:1 |
Supporting Tears in Leather | 7:57 |
Theorem Paintings: Potential Treatment Options | 13:35 |
The Unfolding of a Sticky Situation: The Treatment of a 19th-century Temple Hanging | 11:19 |
Treatment of a Suite of Baroque Revival Style Seating Furniture | 23:17 |
Waterlogged Textiles Recovered from the H.L. Hunley: Identification and Conservation of Textiles Belonging to Lt. George Dixon | 19:129 |
The Conservation of Textile Map Linings and Seal Cords—With a Little Help from Book and Paintings Conservation | 28:191 |
Conservation Treatments Applied on Severely Damaged, Decomposed Sandals of King Tutankhamun | 28:193 |
Bleaching[edit | edit source]
Adventures in Bleaching (abstract) | 13:103 | |
Determining the Efficacy of Cyclododecane as a Barrier for a Reduction Bleaching Treatment of a Silk Embroidered Linen Napkin | 14:1 | |
Taking Cues and Measuring Hues: Using Paper Conservation Methodology in the Light Bleaching of Textiles | 29:47 | |
Up on the Roof: Light Bleaching of Large Textiles, Two Case Studies | 8:15 |
Cleaning – Aqueous[edit | edit source]
Agarose-Alpha Amylase Application in Textile Conservation | 29:1 | |
The Application of Pluronic Surfactants to Textile Conservation | 9:37 | |
Beyond Cavitation: Investigating Ultrasound in Immersion Cleaning Environments | 29:143 | |
Borohydride: An Alternative to Oxidative Bleaching of Cellulosic Textiles | 8:27 | |
Chelating Agents in Wet Cleaning Systems | 5:69 | |
The Chemical Interaction of Surfactants with Fibers, Especially Silk | 3:28 | |
To Clean or Not to Clean? Decision Making for Textile Wet Cleaning | 5:39 | |
The Cleaning of an 18th Century Finger Woven Wool Sash: A Practical Twist on Common Wet Cleaning Methods | 19:145 | |
Contact Cleaning of Textiles | 5:35 | |
Conserving America's Pastime: The Treatment of Baseball Jerseys | 29:187 | |
Deionized Water and its Reactivity – Could it be Damaging? | 5:12 | |
Determining the Efficacy of Cyclododecane as a Barrier for a Reduction Bleaching Treatment of a Silk Embroidered Linen Napkin | 14:1 | |
Dewdrops on an Iris: Uses of Gels and Crepeline in the Treatment of a 20th Century Japanese Silk Painting | 29:21 | |
Effectiveness of Soil Removal by Two New Nonionic Surfactants, Orvus WA Paste and Surfactant Blends | 11:47 | |
The Effects of Wet-Cleaning on Dry-Site Archaeological Textiles: Results of a Study | 2:7 | |
Erasing A Problematic Past: A New Application of Paper Conservation Expertise in the Corrective Treatment of a 17th Century Chinese Tapestry | 29:35 | |
Evaluation of the Effects of Wet Treatments on Dry Site Archaeological Textiles, Phase One: Visible and Tensile Changes | 2:7 | |
From Tubs to Tables: A Survey of Wet Cleaning Equipment Used in Textile Conservation | 5:53 | |
Hats off to Wet Cleaning! | 5:87 | |
An Inexpensive, Dis-Assemblable Wash Table for the Small Textile Lab | 29:229 | |
Iron Degradation in Textiles: Applying a Paper Conservation Treatment to Textiles | 29:65 | |
Observations on the Drying Behavior of Textiles | 2:1 | |
Practicalities of Wet Cleaning | 5:25 | |
Surfactants in Textile Conservation | 5:29 | |
Update: Detergency and the Aqueous Cleaning of Antique Textiles | 19:89 | |
The Use of Reemay in Wet Cleaning | 5:64 | |
Water Use in Conservation Treatment: A Case for Standards? | 14:105 | |
Water – What About It? | 5:9 | |
Wet Cleaning in 3-D | 5:93 | |
Wet Cleaning of an Oversized Textile on a Vacuum Wash Table: A Treatment Phase of the Gondar Hanging at the Canadian Conservation Institute | 5:79 | |
When Life Gives You Velvet ... Preservation Considerations In The Making Of A Period Shadow Box Frame | 23:191 |
Cleaning – Mechanical[edit | edit source]
Cleaning Strategies and Techniques for Prehispanic Funerary Bundles | 29:237 |
Observations on Soot Removal from Textiles | 8:63 |
Removing Modern Accretions: Hot-Melt Adhesive, Chewing Gum, and Pressure-Sensitive Tape | 23:209 |
Vacuuming Textiles: A New Kind of Cost Benefit Analysis | 19:194 |
Comparison of Dry-Cleaning Sponges Used to Remove Soot from Textiles | 28:179 |
Cleaning – Non-Aqueous Solvent[edit | edit source]
A Green Solvent For Textile Conservation?: Investigating The Use Of Cycosiloxane D5 For Textile Conservation Cleaning | 23:1 | |
Removing Dye Bleed from a Sampler: New Methods for an Old Problem | 22:78 | |
Removing Modern Accretions: Hot-Melt Adhesive, Chewing Gum, and Pressure-Sensitive Tape | 23:209 | |
Textile Conservation Issues: Dry-Cleaning an Historic Textile | 6:94 |
Compensation for Loss[edit | edit source]
Compensation for Loss in Textiles Using Commercially Available and Easy to use Artists’ Coloring Materials: Evaluating Their Stability, Fiber Compatibility and Aesthetics | 7:63 |
Compensation/Restoration of a Tuscarora Beaded Cloth with Tuscarora Beadworkers | 7:35 |
Conserving America's Pastime: The Treatment of Baseball Jerseys | 29:187 |
Covering Up a Sticky Situation | 29:173 |
The Creation, Implementation, and Safety of Digitally Printed Fabrics in Textile Conservation: Where are we in 2012? | 22:91 |
Erasing A Problematic Past: A New Application of Paper Conservation Expertise in the Corrective Treatment of a 17th Century Chinese Tapestry | 29:35 |
Evaluating and Choosing Sheer Overlays (poster abstract) | 24:119 |
It's a Cover Up: The Use of Japanese Tissue Paper in the Conservation of the Embellished Hangings From the Spangled Bed CA. 1621 | 29:83 |
PROfab Textile Paints: A Fabulous Alternative to Dyeing? | 29:241 |
Repair of Twentieth-century Leavers Lace | 22:70 |
Tread on Me! Structural Stabilization of Hooked Rugs with Visual Integration: A Technique for Filling Lost Pile | 22:123 |
The Use of Textile Pigments in Conservation Applications | 7:40 |
When Patching is Impractical: Nontraditional Compensation for Loss in a Quilt | 8:1 |
Wide Format Digital Inkjet Printing for Textile Conservation | 16:75 |
The Mortlake Horses: A Collaborative Approach to the Conservation of a Seventeenth-Century British Tapestry at the Metropolitan Museum of Art | 28:17 |
The Use of Paper-Based Materials for the Treatment of Plant Fibers | 28:49 |
Composite Objects[edit | edit source]
Blown Up: Collaborative Conservation and Sustainable Treatment for an Inflatable Dress | 24:11 |
The Conservation of Richard Greene or How an Object Became my Friend | 14:93 |
Conservation Through Investigation: Uncovering the Story of a Japanese Ceremonial Doll | 12:105 |
Conserving the Wright Brothers’ 1905 Flyer III | 12:57 |
Covering Up a Sticky Situation | 29:173 |
Crossing the Boundaries between Conservation Disciplines in the Treatment of Asian Thangkas | 22:106 |
Four Spanish Polychrome Processional Sculptures from the Early 18th century and a Masterpiece in Focus | 12:119 |
It's a Cover Up: The Use of Japanese Tissue Paper in the Conservation of the Embellished Hangings From the Spangled Bed CA. 1621 | 29:83 |
Relying on the Kindness of Strangers: Gathering Information for the Treatment of a Suit of Japanese Samurai Armor | 24:53 |
Retaining the Unknown: Ethical Considerations and Treatment of a South African Beaded Textile | 21:68 |
Revisiting the Treatment of 12th Century Mongolian Deels | 20:67 |
Rhapsody in Blue: Kingfisher Feather Cloisonné in the Arthur M. Sackler Gallery | 12:45 |
Saving America’s Treasures: Threatened Artifacts from the Apollo Era | 12:97 |
The Conservation of a circa 3rd century BCE Chinese Bronze Dagger-Axe with Organic Remains | 12:37 |
SEM Analysis of Metal Threads from the King’s Bed at Knole House, Kent, United Kingdom | 28:189 |
Consolidation/Stabilization – Adhesive Methods[edit | edit source]
Adhesive Smackdown: Consolidating a Synthetic Leather Wrestling Costume (poster abstract) | 24:118 |
Aquazol as a Heat Set Adhesive for Textile Conservation Treatments | 19:187 |
Blown Up: Collaborative Conservation and Sustainable Treatment for an Inflatable Dress | 24:11 |
Covering Up a Sticky Situation | 29:173 |
Dewdrops on an Iris: Uses of Gels and Crepeline in the Treatment of a 20th Century Japanese Silk Painting | 29:21 |
Hair Consolidation and Treatment of an Insect Damaged Dancing Hat from Sierra Leone | 16:87 |
Peel Strength and Reversibility of Adhesive Support Treatments on Textiles: The Nature of Bond Failure as Revealed by Scanning Electron Microscopy | 13:69 |
Second Time’s the Curse: The Shattered Silks of Schiaparelli | 15:43 |
The Unfolding of a Sticky Situation: The Treatment of a 19th-century Temple Hanging | 11:19 |
A Preliminary Evaluation of Lining and Surface Patching Techniques for Doped Aircraft Fabric | 28:187 |
Wild Orchids for Textile Conservation–Considerations on Sustainability | 29:129 |
Consolidation/Stabilization – Non-Adhesive Methods[edit | edit source]
Erasing A Problematic Past: A New Application of Paper Conservation Expertise in the Corrective Treatment of a 17th Century Chinese Tapestry | 29:35 |
Evaluating and Choosing Sheer Overlays (poster abstract) | 24:119 |
Overlay with a Difference: Using Thread to Create a Strong Edge Finish on Tetex | 10:109 |
Renewing the Past: Pressure Mounting Two Large Fragmented Flags | 23:161 |
Repair of Twentieth-century Leavers Lace | 22:70 |
The Mortlake Horses: A Collaborative Approach to the Conservation of a Seventeenth-Century British Tapestry at the Metropolitan Museum of Art | 28:17 |
Confronting Challenges and Considering Consensus in the Conservation of Eighteenth Century Fashion | 28:31 |
A Herringbone Stitch Variation for Use in Textile Conservation | 28:153 |
Flags[edit | edit source]
Camera Rolling, Speed...and Action: Exhibiting the Conservation of Banners through Film | 22:7 |
The Conservation of a Historical Object: The Flag on Which Chilean Independence was Sworn in 1818 | 20:128 |
The Cost of Conservation: Preserving a National Treasure – The Star-Spangled Banner Project | 9:19 |
The Development of a Sectional Trampoline Mount, Or How to Fit an 8 by 12 Foot Framed Flag Into an Elevator with a 7 by 5 Foot Door | 14:85 |
The New York State Battle Flag Preservation Project: Ten Years Later | 20:76 |
Renewing the Past: Pressure Mounting Two Large Fragmented Flags | 23:161 |
The Saga of New York State’s Battle Flags: How to Fund Conservation for a “Heritage at Risk” | 9:49 |
A Lot of Nitpicking: Documentation of Tom Welter’s Painted Silk Battle Flag Encapsulation Method and Materials | 28:1 |
Mounts/Supports[edit | edit source]
Belt It! Solutions to a Dressing Problem | 18:56 | |
The Conservation, Restoration, and Exhibition of a 19th century Dress from the Merchant’s House Museum | 14:43 | |
Custom Skirt Hanger | 15:87 | |
The Development of a Sectional Trampoline Mount, Or How to Fit an 8 by 12 Foot Framed Flag Into an Elevator with a 7 by 5 Foot Door | 14:85 | |
Development of the “Sow’s Ear” Mount and How it is Affixed to the Wall: A Custom Contour Exhibit Support for Textiles | 13:83 | |
Display Methods for Small Textiles | 6:12 | |
Evaluation of the Forms Supporting Iconic Costumes at the National Museum of American History: Washington, Franklin, Lincoln and the First Ladies | 20:9 | |
Failure to Bind: A Re-Examination of the Aging of Hook and Loop Fasteners | 20:115 | |
Hanger-Mannequins at the United States Holocaust Memorial Museum | 10:69 | |
It’s Impossible to be an Eighteenth-century British Loyalist Without a Waistcoat and Ancillary Items | 16:31 | |
Mounts Altered: Mounting Textiles to Meet the Needs of Clients | 16:1 | |
Pressed and Presented: Pressure Mounting Textiles–History and Current Practice at the George Washington University Museum and the Textile Museum | 29:159 | |
Renewing the Past: Pressure Mounting Two Large Fragmented Flags | 23:161 | |
Rigid Mount Support Systems for the Exhibition of Textiles Using Less Intrusive Sewing Methods | 3:47 | |
A Study of Deposits on Glass in Direct Contact with Mounted Textiles | 3:7 | |
Update – Costume Display Methods | 6:9 | |
Yet Another Padded Hanger | 12:133 |
Removal of Previous Repairs/Restorations/Supports[edit | edit source]
Agarose-Alpha Amylase Application in Textile Conservation | 29:1 |
Conservation of a Safavid Persian Carpet Fragment: Two Different Approaches to Treatment in 1980 and 2010 | 21:81 |
Conserving America's Pastime: The Treatment of Baseball Jerseys | 29:187 |
Erasing A Problematic Past: A New Application of Paper Conservation Expertise in the Corrective Treatment of a 17th Century Chinese Tapestry | 29:35 |
It's a Cover Up: The Use of Japanese Tissue Paper in the Conservation of the Embellished Hangings From the Spangled Bed CA. 1621 | 29:83 |
The Observer Effect in Conservation: Changes in Perception and Treatment of a Man's Silk Suit c. 1745 | 21:17 |
Revisiting the Treatment of 12th century Mongolian Deels | 20:67 |
Use of Gel Poultices for Adhesive Removal | 19:184 |
The Mortlake Horses: A Collaborative Approach to the Conservation of a Seventeenth-Century British Tapestry at the Metropolitan Museum of Art | 28:17 |
Stain Removal or Reduction[edit | edit source]
Agarose-Alpha Amylase Application in Textile Conservation | 29:1 |
Conserving America's Pastime: The Treatment of Baseball Jerseys | 29:187 |
Dewdrops on an Iris: Uses of Gels and Crepeline in the Treatment of a 20th Century Japanese Silk Painting | 29:21 |
Effectiveness of Soil Removal by Two New Nonionic Surfactants, Orvus WA Paste and Surfactant Blends | 11:47 |
Erasing A Problematic Past: A New Application of Paper Conservation Expertise in the Corrective Treatment of a 17th Century Chinese Tapestry | 29:35 |
New and Current Materials and Approaches for Localized Cleaning in Textile Conservation | 23:109 |
Removal of Some Old Resins from Ancient Pile-Textiles: An Applied Study on a Turkish Rug | 19:116 |
Removing Dye Bleed from a Sampler: New Methods for an Old Problem | 22:78 |
Taking Cues and Measuring Hues: Using Paper Conservation Methodology in the Light Bleaching of Textiles | 29:47 |
TSG/AIC[edit | edit source]
The Paper Conservation Catalog: Lessons for the Textile Group | 4:39 | |
The Textile Conservation Catalog to Date | 4:45 |
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