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Cleavage in paint layers of an oil painting

Cleavage is a separation between layers. In painting, any separation between paint layers, between paint film and ground or between ground and support. Cleavage occurs where adhesion between layers has deteriorated; it is commonly due to faulty materials or improper methods of application. It causes blisters, wrinkles, and flaking of paint (Mayer 1969).

Related Terms[edit | edit source]

buckling; delamination; split

Synonyms in English[edit | edit source]

chasm, rift, cleft, fracture, separation

Translation[edit | edit source]

English cleavage
French crevasse
Spanish separación
Portuguese rachadura
Italian spaccatura
German Spaltung
Russian расщепление
Chinese (Traditional) 剝離

Discussion[edit | edit source]

Active cleavage refers to a separation about to flake off. Blind cleavage, also called flat cleavage, is a separation that has no visible rupture, but one can tell there has been an underlying separation of layers. Incipient cleavage is the beginning of a separation where the layers have curled up but are not yet free (Keck 1965).

In 1975 in The Care of Pictures, George Stout discussed the development of cleavage in panel paintings (paintings with a wood primary support), as the separation of the ground layer from the support often occurs in these types of paintings. First, the wood of the support moves laterally with the change in moisture content; when damp or humid, it swells, and when dry, it shrinks. Failure of the increasingly brittle ground to move with the support tends to break it loose from the support. Weakened by the deterioration of the medium and by strain, the ground layer cracks. It is broken loose near the cracks and is pushed slightly away from the support; this is known as buckling. Further movement in the support loosens flakes of ground and these may stay in place because they are lodged at their edges; this is known as cleavage.

References[edit | edit source]

Keck, Caroline K. 1965. A Handbook on the Care of Paintings. New York: Watson-Guptill Publications.

Keck, Caroline. 1965. How To Take Care of Your Pictures. New York: The Museum of Modern Art & The Brooklyn Museum.

International Council of Museums, (ICOM). 1997. Manual on the Conservation of Paintings. London: Archetype Publications.

Mayer, Ralph. 1969. A Dictionary of Art Terms and Techniques. New York: Thomas Y. Crowell Company.

Stout, George L. 1975. The Care of Pictures. New York: Dover Publications.

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