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Contributors: Robin Hanson and Jennifer Cruise

A

Adler, Susan

Chelating Agents in Wet Cleaning Systems ♦ 5:69
Borohydride: An Alternative to Oxidative Bleaching of Cellulosic Textiles ♦ 8:27

Ahmed, Harby E.

First Aid Strategies of Rare Ancient Egyptian Textiles in Excavation (abstract) ♦ 26:193

Allen, Robert

Historic Royal Palaces Textile Conservation Studios: An Introduction ♦ 7:80

Almeida, Paula Aline Durães

Between the Ephemeral and the Immortal: considerations about the process of preserving Ticuna barkcloth (poster) ♦ 27:258

Anderson, Allison

Comparison of Dry-Cleaning Sponges Used to Remove Soot from Textiles ♦ 28:179

Anderson, Hillary

A Mount for Prevention Is Worth a Pound of Care: Rehousing Festival Hats at the Textile Museum of Canada (abstract) ♦ 26:194

Anderson, Lisa

A Storage System for Archaeological Textile Fragments ♦ 11:59

Applebaum, Barbara

Evaluating Textile Treatments: Discussing the State-of-the-Art ♦ 1:17

Arazoza, Alina Vasquez

Recovery and Conservation of the Textile Collections of the National Museum of Music [Cuba] ♦ 22:63

Arenstein, Rachel Perkins

Stressed about Pests? A Panel-Led Discussion on Integrated Pest Management ♦ 24:116

Armitage, Ruth Ann

Analysis of Organic Dyes in Textiles by Direct Analysis in Real Time – Time-of-Flight Mass Spectrometry (Extended abstract) ♦ 24:113

Austin, Muffie

Mounting Large Textiles ♦ 6:14


B

Baglia, Regina A.

Ambient Mass Spectrometry Analysis of Alizarin-Dyed Textile and Dye Transfer to Paper ♦ 28:127

Ballard, Mary W.

Climate and Conservation ♦ 2:31
A Study of Deposits on Glass in Direct Contact with Mounted Textiles ♦ 3:7
The Chemical Interaction of Surfactants with Fibers, Especially Silk ♦ 3:28
Germ Theory ♦ 14:11
Conserving a Unique Waterlogged Silk Bandana from the H.L Hunley Submarine (1864) ♦ 18:38
Update: Detergency and the Aqueous Cleaning of Antique Textiles ♦ 19:89
Measuring Your Color Vision with a Glenn Colorule ♦ 22:103
Dating Silk and Other Innovations in Mass Spectrometry ♦ 22:55
Assessing LED Lights for Textile Colorants ♦ 24:85
The Effect of Light-Emitting Diode Lamps (LEDs) on 19th-Century Dyed & Printed Cotton Fabrics ♦ 25:1
A Biological Disaster to Costume ♦ 26:75
Ambient Mass Spectrometry Analysis of Alizarin-Dyed Textile and Dye Transfer to Paper ♦ 28:127
Old and New Solutions to Dissipate Static Charge for Plexiglas Pressure Mounts ♦ 28:173

Barcalde, María Sol

National Flags, the Bicentennial, and the Change of Criteria Regarding Conservation ♦ 27:263

Barlow, Alexandra

The Creation of a Digitally Printed Reproduction Sleeve for an 18th Century Painted Silk Dress ♦ 26:35
The Mortlake Horses: A Collaborative Approach to the Conservation of a Seventeenth-Century British Tapestry at the Metropolitan Museum of Art ♦ 28:17

Barrett, Hannah

Making Conservation Work Down Under: Dealing With the Unexpected ♦ 25:111

Battram, Anne

Diverse Solutions from the Upholstery Lab at SPNEA ♦ 4:17
Relying on the Kindness of Strangers: Gathering Information for the Treatment of a Suit of Japanese Samurai Armor ♦ 24:53

Baughman, Mary C.

Slings and Arrows: Safe Costume Transport (abstract) ♦ 15:51

Bayne, David

Documentation: More Than Just Paper – New York State Style ♦ 6:37
A Conservation “Circuit Rider:”
An Innovative Approach to Preservation for Dispersed Collections ♦ 22:46

Becker, Alyssa

Trial by Fire: Fire Retardants Ignite Research Project on Exhibit Case Materials ♦ 13:1

Beckett, Fiona

Seeing the Light: Conservation and Exhibition of a 1980s Daylight Fluorescent Painted Leather Jacket ♦ 25:95

Bede, Deborah

Methodology of Color Measurement of Historic Textiles ♦ 3:19
Water – What About It? ♦ 5:9
Conserving the Wright Brothers’ 1905 Flyer III ♦ 12:57
Adventures in Bleaching (abstract) ♦ 13:103

Belger Krody, Sumru

“Buyid”Silks at the Textile Museum ♦ 17:63

Benner, Julie

A Green Solvent for Textile Conservation?: Investigating the Use of Cycosiloxane D5 for Textile Conservation Cleaning ♦ 23:1
Off the Wall and Into the Round: Installing Josep Grau-Garriga’s Tapis Pobre ♦ 25:129

Berman, Maria

Compensation for Loss in Textiles Using Commercially Available and Easy to use Artists’ Coloring Materials: Evaluating Their Stability, Fiber Compatibility and Aesthetics ♦ 7:63

Beyth, Rebecca

Breaking Canvas: A Case Study on a French Embroidery ♦ 25:59

Bieniosek, Genevieve

Treatment of a Suite of Baroque Revival Style Seating Furniture ♦ 23:17

Block, Ira

Oxidation Products in Artificially Aged Cellulose Film ♦ 10:39

Bloomfield, Nicole

Why We Do What We Do: Ethics and Decision-Making (Panel Discussion) ♦ 21:8

Bolin, Courtney Anne

Assessing LED Lights for Textile Colorants ♦ 24:85
The Effect Of Light-Emitting Diode Lamps (LEDs) On 19th-Century Dyed & Printed Cotton Fabrics ♦ 25:1

Bourgeois, Caroline

The Sectional Mannequin: A Unique Approach for First Nations Clothing (abstract) ♦ 26:198

Brennan, Julia

The Compromises and Rewards of Textile Conservation Training in Far Flung Places from Madagascar to Bhutan ♦ 16:65
Why We Do What We Do: Ethics and Decision-Making (Panel Discussion) ♦ 21:8

Breeze, Camille Myers (see Myers Breeze, Camille, below)

Breitung, Eric

The Creation of a Digitally Printed Reproduction Sleeve for an 18th Century Painted Silk Dress ♦ 26:35

Britton, Nancy C.

Basket Cases: Two Upholstery Treatments Composed of Plant Materials ♦ 4:27
The Use of Textile Pigments in Conservation Applications ♦ 7:40
Upholstered Replacement Showcovers and Furnishings Approached as Compensation for Loss ♦ 7:108
Wide Format Digital Inkjet Printing for Textile Conservation ♦ 16:75
Sleeping Beauty: The Documentation and Treatment of an 1880s Herter Brothers Bergère ♦ 18:1

Brogdon-Grantham, Shannon A.

Removing Modern Accretions: Hot-Melt Adhesive, Chewing Gum, and Pressure-Sensitive Tape ♦ 23:209

Brooks, Mary M.

Sustaining Tacit and Embedded Knowledge in Textile Conservation and Textile and Dress Collections ♦ 24:1

Brott Buss, Judy J.

Influence of Nitrogen Gas and Oxygen Scavengers on Fading and Color Change in Dyed Textiles ♦ 10:55

Bulgarella, Mary Westerman

Why We Do What We Do: Ethics and Decision-Making (Panel Discussion) ♦ 21:8

Bullock, Veronica

Water Use in Conservation Treatment: A Case for Standards? ♦ 14:105

Burke, Julia M.

Development of the “Sow’s Ear” Mount and how it is Affixed to the Wall: A Custom Contour Exhibit Support for Textiles ♦ 13:83

Burr, Betsy

Pointing in the Right Direction: Identifying Technological Features to Orient Navajo Textiles ♦ 28:97

Butemj, Myagmarsuren

Revisiting the Treatment of 12th century Mongolian Deels ♦ 20:67


C

Campos, Francisca

The Conservation of a Historical Object: The Flag on Which Chilean Independence was Sworn in 1818 ♦ 20:128

Carbone, Morgan Blei

So You Say You Want a Revolution? An Innovative Low-Tack Adhesive Treatment for 18th-Century Silk Flags ♦ 27:1
Fatal Attraction: Trials and Tribulations in Toning Rare Earth Magnets (poster) ♦ 27:257

Carlson, Janice

The Application of Pluronic Surfactants to Textile Conservation ♦ 9:37
Developing a Protocol for Analysis of Textile Finishes on Wool ♦ 10:1

Carrlee, Ellen

Summary of Potential Artifact Damage from Low Temperature Pest Management ♦ 12:75

Carroll, Scott

A Spot-Test Directory for Material Characterization: A Collaborative Effort ♦ 6:55

Cassman, Vicki

“If You Can’t Beat ‘em Join ‘em.” ♦ 7:7

Castaneda, Alison

Adhesive Smackdown: Consolidating a Synthetic Leather Wrestling Costume [Poster] ♦ 24:118
Oh, Bother: The Conservation of Winnie-the-Pooh Animals ♦ 27:51

Cedrola, Marcela

Documentation, Restoration and Display of a XVII Century Copy of the Holy Shroud, in Argentina ♦ 25:43

Chambers, Alan R.

Application of Digital Image Correlation to Tapestry and Textile Condition Assessment ♦ 19:156

Chang, Lauren

Documenting and Implementing Conservation Requests from Native Communities ♦ 15:9
Finding The Ease: Approaches to Mounting and Installation at the Art Institute of Chicago ♦ 23:43

Charley, Nicole

Dissociation Risks: The Conservation of Two Aboriginal Figurines and Their Textiles ♦ 26:1

Chatfield, Kate

Camera Rolling, Speed...and Action: Exhibiting the Conservation of Banners Through Film ♦ 22:7

Chen, Runying

Cellulolytic Biodegradation of Cotton Fibers from a Deep-Ocean Environment ♦ 9:1
Fourier Transform-Infrared Microspectroscopy as an Effective Tool for Single Fiber Identification and Fiber Structural Analysis ♦ 10:25
Identification and Degradation Analysis of Textiles Recovered from the Queen Anne’s Revenge Shipwreck ♦ 11:27

Chen, Victor J.

Establishing a Textile Dye Analysis Program at the Indianapolis Museum of Art ♦ 23:33

Childs, John D.

Unintended Consequences of the Use of Rare-Earth Magnets in Mounting Objects on Open Display ♦ 26:49

Cocuzza, Dominique

A Storage System for Archaeological Textile Fragments ♦ 11:59

Coe, Erin B.

The Hyde House Furnishing Plan: Scholarship and Science to the Rescue ♦ 16:11

Coho, Cathy

Textile Pseudomorphs From 17th century Native American Burials ♦ 6:70

Collum, Malcolm

Conserving the Wright Brothers’ 1905 Flyer III ♦ 12:57

Commoner, Lucy

A Study of Deposits on Glass in Direct Contact with Mounted Textiles ♦ 3:7
A Case of Compromise: Working with Guest Curators ♦ 16:21

Cox Crews, Patricia

Influence of Nitrogen Gas and Oxygen Scavengers on Fading and Color Change in Dyed Textiles ♦ 10:55
Effects of Light and Heat Aging on Selected Quilting Products Containing Adhesives ♦ 13:13
Effects of Accelerated Heat and Light Aging on Textiles Marked with Fabric Marking Pens ♦ 14:23
Photoyellowing and Photobleaching of Silk and Wool Fabrics under Monochromatic and Multichromatic Light Radiation ♦ 15:75

Cretté, Stephanie

Waterlogged Textiles Recovered from the H.L. Hunley: Identification and Conservation of Textiles Belonging to Lt. George Dixon ♦ 19:129

Cueva, Selene Isabel Figueroa

The Preservation of Funerary Bundles in Peru: A Methodological Approach ♦ 27:266
Storage Systems for Funerary Bundles from Pre-Historic Peru ♦ 27:268

Cullen Cobb, Kim

Belt It! Solutions to a Dressing Problem ♦ 18:56

Curl, Angela M.

Optical Microscopy Techniques for Examination of Alpaca Hair Fibers: Application to Archaeological Textiles ♦ 13:53


D

Dalela, Namrata

Old and New Solutions to Dissipate Static Charge for Plexiglas Pressure Mounts ♦ 28:173

Dancause, Renée

Overlay with a Difference: Using Thread to Create a Strong Edge Finish on Tetex ♦ 10:109
Reconstruction, Reproduction, Replication, Re-Creation: Synonyms in the Costume History and Textile Conservation Literature? A Matter of Perspective ♦ 16:41
Renewing the Past: Pressure Mounting Two Large Fragmented Flags ♦ 23:161

Delcroix, Gilbert

The Conservation of Painted Wall Coverings from Clayton House, Pittsburgh, Pennsylvania ♦ 2:60

Dendy, Jean

Dissociation Risks: The Conservation of Two Aboriginal Figurines and Their Textiles ♦ 26:1

De Paepe, Anoek

The Use of Paper-Based Materials for the Treatment of Plant Fibers ♦ 28:49

Depriest, Jason

The Humming Bird 2: Using Fosshape as an Alternative Backing for Fiber Art Sculpture [Poster] ♦ 24:123

De Vanna, Sabrina

The Burned Tapestries of the Cathedral Church of St. John The Divine: What Can we Learn from the Ashes? ♦ 14:65

De Vivies, Philippe

Conserving a Unique Waterlogged Silk Bandana from the H.L Hunley Submarine (1864) ♦ 18:38

Donnelly, William

Finding Support: Reassessing and Developing a New Support System for Original Upholstery ♦ 20:41

Drews, Michael

Conserving a Unique Waterlogged Silk Bandana from the H.L Hunley Submarine (1864) ♦ 18:38

Druzik, James

Oriel Microfading Tester (MFT): A Brief Description ♦ 20:135
Comparison of Five Microfading Tester (MFT) Designs ♦ 20:144

Ducey, Aimée

The Conservation of Three Hawaiian Feather Cloaks (abstract) ♦ 20:114

Dulieu-Barton, Janice M.

Application of Digital Image Correlation to Tapestry and Textile Condition Assessment ♦ 19:156

Dunn, Miranda Hope

When Life Gives You Velvet ... Preservation Considerations in the Making of a Period Shadow Box Frame ♦ 23:191

DuPont, Anne-Laurence

Measuring Silk Deterioration: Investigation into the Usefulness of High-Performance Size-Exclusion Chromatography (abstract) ♦ 9:51


E

Eastop, Dinah

Application of Digital Image Correlation to Tapestry and Textile Condition Assessment ♦ 19:156

Eaton, Linda

Chelating Agents in Wet Cleaning Systems ♦ 5:69
Curatorial and Conservation Considerations for a 14th-15th century Mamluk Cap ♦ 6:17
Textile Conservation Issues: Dry-Cleaning an Historic Textile ♦ 6:94
The Application of Pluronic Surfactants to Textile Conservation ♦ 9:37
Developing a Protocol for Analysis of Textile Finishes on Wool ♦ 10:1

Eidelheit, Marlene

Hats off to Wet Cleaning! ♦ 5:87
The Burned Tapestries of the Cathedral Church of St. John The Divine: What Can we Learn from the Ashes? ♦ 14:65

Ellis, Shirley

Disaster Recovery at the University of Alberta, or Every Flood has a Silver Lining ♦ 8:45
Deconstructed: Restoring the Intent and Integrity of a Rare Kainai Squirrel-Lined Baby Quilt ♦ 27:149

Eslinger, Erin

Conservation of a Felt Sculpture ♦ 20:1

Evans, Sunae Park

It’s Impossible to be an Eighteenth-century British Loyalist Without a Waistcoat and Ancillary Items ♦ 16:31
A Visit from Kermit the Frog and Friends: A Collaborative Exhibition Between the Jim Henson Legacy and the National Museum of American History (abstract) ♦ 18:100
Evaluation of the Forms Supporting Iconic Costumes at the National Museum of American History: Washington, Franklin, Lincoln and the First Ladies ♦ 20:9
A Material Disaster: Preservation of the Muppets ♦ 26:63
Safely Mounting Figures with Extreme Actions Poses ♦ 27:177

Evenson, Janet

Effects of Light and Heat Aging on Selected Quilting Products Containing Adhesives ♦ 13:13
Effects of Accelerated Heat and Light Aging on Textiles Marked with Fabric Marking Pens ♦ 14:23

Ewer, Patricia

Evaluating Textile Treatments: Discussing the State-of-the-Art ♦ 1:17
Pre-Program Textile Conservation Internships ♦ 3:65
Practicalities of Wet Cleaning ♦ 5:25
Designing Workspaces ♦ 19:1
Cultural Exchange Programs: Sharing Conservation Information in Azerbaijan ♦ 20:22
Why We Do What We Do: Ethics and Decision-Making (Panel Discussion) ♦ 21:8


F

Facio, Issac

Finding the Ease: Approaches to Mounting and Installation at the Art Institute of Chicago ♦ 23:43

Farley, Delana Joy

Pointing in the Right Direction: Identifying Technological Features to Orient Navajo Textiles ♦ 28:97

Fenton, Glenn A.

Conservation of Maori Textiles Decorated with Traditional Dyes ♦ 11:1

Fenyvesi, Lizou

Dealing with Forgeries at the United States Holocaust Memorial Museum ♦ 10:15

Ferreira, Lisa M.

Manufactured-Fiber Conservation: A Cause for Concern? ♦ 9:11

Fifield, Rebecca

Collections Care at the Antonio Ratti Textile Center Metropolitan Museum of Art, New York ♦ 15:1

Filho, Edson Tosta Matarezio

Between the Ephemeral and the Immortal: considerations about the process of preserving Ticuna barkcloth (poster) ♦ 27:258

Fiorino-Iannace, Giovanna

Collections Care at the Antonio Ratti Textile Center Metropolitan Museum of Art, New York ♦ 15:1

Fitzgerald, Solange

The Conservation of Textile Map Linings and Seal Cords—With a Little Help from Book and Paintings Conservation ♦ 28:191

Ford, Bruce

Protecting the Most Important, Most Exhibited and Most Fugitive Museum Objects from Light-Fading ♦ 20:156

Foskett, Sarah

Gelling in Theory and Practice: An Examination of Agarose Gels in Textile Conservation ♦ 26:157

France, Christine A.M.

Dating Silk and Other Innovations in Mass Spectrometry ♦ 22:55

France, Fenella G.

Beneath the Grime: Measuring the Effects of Preservation Treatments for Textiles ♦ 13:45
Renovating the Preservation Research and Testing Division Laboratories at the Library of Congress ♦ 19:24

Francis, Kathy

Observations on the Drying Behavior of Textiles ♦ 2:1
Disaster Recovery: Teaching Textile Salvage Techniques to the First Response Team ♦ 8:39
Another Perspective: Voices From Outside Textile Conservation (Panel Discussion) ♦ 21:1

Frank, Emily

Lights, Camera, Archaeology: Documenting Archaeological Textile Impressions with Reflectance Transformation Imaging (RTI) ♦ 25:11

Frisina, Ann

For the Public Eye: The Excavation and Return of Original Upholstery Chosen by Mrs. Anna Ramsey for a Reception Room Suite of Furnishings from 1872 ♦ 14:33
Not Much Left: Digitally Recreating Upholstery is a Group Effort ♦ 20:31
Steam Jennies, Long Arms, and Battle Flags: Textile Conservator Tom Welters’ Innovative Flag Conservation Equipment ♦ 27:261
A Lot of Nitpicking: Documentation of Tom Welter’s Painted Silk Battle Flag Encapsulation Method and Materials ♦ 28:1


G

Gardiner, Joy

Up on the Roof: Light Bleaching of Large Textiles, Two Case Studies ♦ 8:15
Recent Evolution in Textile Conservation ♦ 10:101
The Unfolding of a Sticky Situation: The Treatment of a 19th-century Temple Hanging ♦ 11:19
Development of the “Sow’s Ear” Mount and How it is Affixed to the Wall: A Custom Contour Exhibit Support for Textiles ♦ 13:83
Finding Support: Reassessing and Developing a new Support System for Original Upholstery ♦ 20:41
Failure to Bind: A Re-Examination of the Aging of Hook and Loop Fasteners ♦ 20:115
New and Current Materials and Approaches for Localized Cleaning in Textile Conservation ♦ 23:109
To Avoid Additional Piercings: The Mounting of a 1795 Sampler with Original Paper Backing via a Paper Conservation Hinging Method ♦ 25:143

Gardner Fischer, Shawn

The Effect of Freeze-Drying on Selected Properties of Wool Fabric ♦ 8:53

Gates, Sarah

New Lab Space, New De Young ♦ 19:33

Genbrugge, Siska

The Use of Paper-Based Materials for the Treatment of Plant Fibers ♦ 28:49

Gentry, Allison

Old and New Solutions to Dissipate Static Charge for Plexiglas Pressure Mounts ♦ 28:173

Gero, Cassandra

Hat Mounts for Egg Heads ♦ 25:181
Sending Clam Shells Across the Atlantic: Preparing the Alexander Mcqueen Razor Clam Dress for Loan (abstract) ♦ 26:196
Costume Loans: Challenges and Strategies ♦ 27:99

Getts, Anne

Preliminary Results from an Investigation 
into the Color Shift from Purple to Brown in a Set of Madder-Dyed Cylinder-Printed Furnishing Fabrics from the Winterthur Museum ♦ 22:116

Giaccai, Jennifer

A Case Study using Multiband and Hyperspectral Imaging for the Identification and Characterization of Materials on Archaeological Andean Painted
Textiles ♦ 24:23

Gilberg, Mark

Authenticating an Anatolian Carpet at the Los Angeles County Museum of Art ♦ 17:17

Giuntini, Christine

Determining Quality in a Royal Kuba Overskirt: Changing Craft-Habit or Pastiche? ♦ 17:1
Why We Do What We Do: Ethics and Decision-Making (Panel Discussion) ♦ 21:8
Mounting Flat Textiles in The United States: An Historical Overview 1949-1974 (Extended abstract) ♦ 22:99
A Flexible Rolling Cylinder For Moving Large Textiles Through Tight Spaces ♦ 27:249

Glenn, Sarah

RAKSHA – Raising Awareness of Textile Conservation in India ♦ 22:19

Godfrey, Jakki

Hair Consolidation and Treatment of an Insect Damaged Dancing Hat from Sierra Leone ♦ 16:87

Goodin, Dana

Agarose Two Ways: Successes and Challenges in Large-Scale Gel Applications ♦ 27:161

Gottfried, Linda

Out of the Box: New Costume and Textile Storage at the Philadelphia Museum of Art ♦ 19:52
Water Shield Testing for the Philadelphia Museum of Art at Borroughs Site (video) ♦ 19

Gottschlich, Lauren

A Preliminary Evaluation of Lining and Surface Patching Techniques for Doped Aircraft Fabric ♦ 28:187

Gould, Betsy

Insect Infestation: A Large Tapestry’s Fumigation and Stabilization for Storage ♦ 8:9

Griggs, Candis

Initial Investigation into a Resinous Maya Burial Shroud ♦ 12:1

Grissom, Carol

A Biological Disaster to Costume ♦ 26:75

Gross, Annie-Beth E.

Repair of Twentieth-Century Leavers Lace ♦ 22:70

Gross, Kelly H.

The Hidden Codex: An Introduction to Tezcatlipoca’s Smoking Mirror ♦ 28:67

Gruzmacher Gallo, Maria Luisa

Comité Nacional de Conservación Textil (Chilean National Committee for Textile Conservation) 10 Years in the Field of Conservation ♦ 7:117

Guidess, Gretchen

Finding Support: Reassessing and Developing a new Support System for Original Upholstery ♦ 20:41
Tread On Me!
 Structural Stabilization of Hooked Rugs with Visual Integration: A Technique for Filling Lost Pile ♦ 22:123

Guild, Sherry

Microfade Testing of 19th Century Iron Gall Inks ♦ 20:167

Gutiérrez, Ana Julia Poncelis

Mend or historical evidence? ♦ 27:270

Gutiérrez Ramos, Abner

The Seminar Workshop as an Educational Model: Teaching Textile Conservation at the Escuela Nacional de Conservación, Restauración y Museografía ♦ 15:37
Mend or historical evidence? ♦ 27:270


H

Hacke, Marei

Conserving a Unique Waterlogged Silk Bandana from the H.L Hunley Submarine (1864) ♦ 18:38

Hackett, Joanne

Anna Pavlova’s Tutu: Compensation for Loss ♦ 7:50
Up on the Roof: Light Bleaching of Large Textiles, Two Case Studies ♦ 8:15
Observations on Soot Removal from Textiles ♦ 8:63
An Old Case of New Display: Contemporary and Historic Fashion at the Victoria and Albert Museum ♦ 23:57

Haldane, Elizabeth-Anne

RAKSHA – Raising Awareness of Textile Conservation in India ♦ 22:19

Halvorson, Bonnie

A Question of Color for a 19th century Silk Fabric with Metal Threads ♦ 13:27

Hansen, Eric F.

Effect of the Environment on the Degradation of Silk: A Review ♦ 2:14

Hanson, Robin M.

Curatorial and Conservation Considerations for a 14th-15th century Mamluk Cap ♦ 6:17
From Archive to Database to Research Tool: The Transformation of an Uncatalogued Sample Collection into an Accessible Database ♦ 8:71
The Role of Historic Documentation in a Contemporary Textile Project ♦ 15:19
Padded Insert for Pre-Columbian Tunic ♦ 25:155
Textiles as Architecture: Raising a Royal Persian Tent ♦ 27:223

Happe, Steve

Take a Picture; It’ll Last Longer:
 How a Ceiling Mounted Digital Camera Helped Improve Preservation and Access to a Quilt Collection ♦ 22:138

Hargrove, Suzanne

The Humming Bird 2: Using Fosshape as an Alternative Backing for Fiber Art Sculpture [Poster] ♦ 24:123

Harris, LaTasha D.

The Conservation of a Fan Using Microfiber Fabrics ♦ 3:57

Hays, Marina Kastan

Confronting Challenges and Considering Consensus in the Conservation of Eighteenth Century Fashion ♦ 28:31

Heald, Susan C.

A Study of Deposits on Glass in Direct Contact with Mounted Textiles ♦ 3:7
Deionized Water and its Reactivity – Could it be Damaging? ♦ 5:12
Compensation/Restoration of a Tuscarora Beaded Cloth with Tuscarora Beadworkers ♦ 7:35
A Storage System for Archaeological Textile Fragments ♦ 11:59
Collaborative Treatment of a Native American Robe from the Miami Community with Silk Ribbonwork and Metal Decoration ♦ 12:85
Trial by Fire: Fire Retardants Ignite Research Project on Exhibit Case Materials ♦ 13:1
Documenting and Implementing Conservation Requests from Native Communities ♦ 15:9
The Cleaning of an 18th Century Finger Woven Wool Sash: A Practical Twist on Common Wet Cleaning Methods ♦ 19:145
Why We Do What We Do: Ethics and Decision-Making (Panel Discussion) ♦ 21:8
Removing Modern Accretions: Hot-Melt Adhesive, Chewing Gum, and Pressure-Sensitive Tape ♦ 23:209
Adjustable Angle, Reusable Slant Boards for Mounting Hides and Textiles with Rare Earth Magnets ♦ 25:165

Healy, Taylor

Three-Dimensional Scanning to Create Custom Storage Forms for the Charles James Collection in the Costume Institute, Metropolitan Museum of Art ♦ 27:191

Hedlund, Ann Lane

Pointing in the Right Direction: Identifying Technological Features to Orient Navajo Textiles ♦ 28:97

Hernández, Catalina

The Cleaning of an 18th Century Finger Woven Wool Sash: A Practical Twist on Common Wet Cleaning Methods ♦ 19:145
The Uses of Nonwoven Fabrics in Conservation ♦ 20:55

Hernandez, Christian

Responsible Stewardship: Exploring Sustainability Within Conservation ♦ 23:181

Hillyer, Linda

RAKSHA – Raising Awareness of Textile Conservation in India ♦ 22:19

Hodson, Anna

Belt It! Solutions to a Dressing Problem ♦ 18:56

Holdcraft, T. Rose

Preservation of Maya Textile Fragments Excavated Ninety Years Ago in the Yucatán: A Closer Look ♦ 7:12

Holden, Amanda

Seeing the Light: Conservation and Exhibition of a 1980s Daylight Fluorescent Painted Leather Jacket ♦ 25:95

Hopkins Barriga, Aránzazu

Conservation and Assembly of an Ethnographic Textile ♦ 14:99

Horelick, Lauren Anne

A Preliminary Evaluation of Lining and Surface Patching Techniques for Doped Aircraft Fabric ♦ 28:187

Hornbeck, Stephanie

Another Perspective: Voices From Outside Textile Conservation (Panel Discussion Abstract) ♦ 21:1

Hughes, M. Cynthia

Evaluation of the Effects of Wet Treatments on Dry Site Archaeological Textiles, Phase One: Visible and Tensile Changes ♦ 2:7

Hughes, Patricia

Mirror Imaging: The Art of Tapestry Revisited ♦ 11:11

Hunter, Michelle

Let There Be Light? An Investigation into Light-Induced Changes of the Early Synthetic Aniline Dye Magenta under Indoor Lighting Conditions ♦ 28:111

Hunter, Susana

RAKSHA – Raising Awareness of Textile Conservation in India ♦ 22:19

Hutchins, Jane

Evaluating Textile Treatments: Discussing the State-of-the-Art ♦ 1:17

Hwang, Min Sun

Thirty Years of Microscope Imaging Technologies in the Textile Conservation Department, Metropolitan Museum of Art ♦ 19:77


I

Iannuccilli, C.P.

A Textile Conservator’s Contribution to Disaster Preparedness at the Museum of Fine Arts, Boston ♦ 26:89

Illes, Veronica

The Conservation of Painted Wall Coverings from Clayton House, Pittsburgh, Pennsylvania ♦ 2:60

Indictor, Norman

Germ Theory ♦ 14:11


J

Jakes, Kathryn A.

Cellulolytic Biodegradation of Cotton Fibers from a Deep-Ocean Environment ♦ 9:1
Fourier Transform-Infrared Microspectroscopy as an Effective Tool for Single Fiber Identification and Fiber Structural Analysis ♦ 10:25
Optical Microscopy Techniques for Examination of Alpaca Hair Fibers: Application to Archaeological Textiles ♦ 13:53
Uses of the Fiber Reference Image Library ♦ 21:42

Johnson, Jessica S.

Collaborative Treatment of a Native American Robe from the Miami Community with Silk Ribbonwork and Metal Decoration ♦ 12:85

Johnson-Dibb, Rebecca

Contact Cleaning of Textiles ♦ 5:35
Identification of Dyes on Textiles from RI-1000, a 17th century Narragansett Indian Burial Site ♦ 6:79

Jonas, Marjorie

Online Access to and Preservation of a Multi-Component Sketch Collection ♦ 21:53


K

Kaldany, Mary

Evaluating Textile Treatments: Discussing the State-of-the-Art ♦ 1:17
Compensation for Loss in Textiles Using Commercially Available and Easy to use Artists’ Coloring Materials: Evaluating Their Stability, Fiber Compatibility and Aesthetics ♦ 7:63

Kaminitz, Marian

Removing Modern Accretions: Hot-Melt Adhesive, Chewing Gum, and Pressure-Sensitive Tape ♦ 23:209

Kaplan, Lara

Conservation Through Investigation: Uncovering the Story of a Japanese Ceremonial Doll ♦ 12:105

Kapodistrias, Helen

The Conservation, Restoration, and Exhibition of a 19th century Dress from the Merchant’s House Museum ♦ 14:43

Karsten, Irene F.

Peel Strength and Reversibility of Adhesive Support Treatments on Textiles: The Nature of Bond Failure as Revealed by Scanning Electron Microscopy ♦ 13:69

Kerr, Nancy

Effectiveness of Soil Removal by Two New Nonionic Surfactants, Orvus WA Paste and Surfactant Blends ♦ 11:47
Peel Strength and Reversibility of Adhesive Support Treatments on Textiles: The Nature of Bond Failure as Revealed by Scanning Electron Microscopy ♦ 13:69

Keyserlingk, Michaela

Wet Cleaning of an Oversized Textile on a Vacuum Wash Table: A Treatment Phase of the Gondar Hanging at the Canadian Conservation Institute ♦ 5:79

Khalil, Hadeel

Conservation Treatments Applied on Severely Damaged, Decomposed Sandals of King Tutankhamun ♦ 28:193

Kiefer, Kathleen

Interdisciplinary Philosophies. Textiles and Paper: A Common Ground ♦ 4:7
Establishing a Textile Dye Analysis Program at the Indianapolis Museum of Art ♦ 23:33

Kienitz, Gaby

The QR Code Quilt: Embedding Textile Conservation Outreach into the Fabric of an Exhibition ♦ 22:32
Take a Picture; It’ll Last Longer:
 How a Ceiling Mounted Digital Camera Helped Improve Preservation and Access to a Quilt Collection ♦ 22:138

Kiseljev, Dubravka Turkovic

Rescuing Water Damaged Textiles During L.A.’s Urban Riots ♦ 3:38

Klaar, Joanne M.

Theorem Paintings: Potential Treatment Options ♦ 13:35

Knutson, Teresa

Investigation, Engineering, and Conservation Combined: The Reconstruction of a Seventeenth century Dress ♦ 1:26

Kociemba, Michael P.

Cradle System for Tapestry Installation ♦ 7:89

Koek, Marjolein

Learning From a Treatment That Did Not Go as Planned: The Use of an Adhesive Support Technique on an 1860s Dress ♦ 27:111

Koren, Zvi C.

The Unprecedented Discovery of the Royal Purple Dye on the Two Thousand Year-Old Royal Masada Textile♦ 7:23

Kotei, Ebenezer

Emergence of “Antique” Synthetic Textiles ♦ 23:75

Kulis, Genevieve

A Mount for Prevention Is Worth a Pound of Care: Rehousing Festival Hats at the Textile Museum of Canada (abstract) ♦ 26:194

Kushel, Dan

Photographing Textiles: Answers to Questions Submitted by the AIC Textile Specialty Group ♦ 6:104


L

Larochette, Yadin

Determining the Efficacy of Cyclododecane as a Barrier for a Reduction Bleaching Treatment of a Silk Embroidered Linen Napkin ♦ 14:1
Conservation Training on Three Continents: One Student’s Exposure to Different Treatment and Documentation Practices ♦ 15:31
Merging Disciplines: Preparing a Matisse Serigraph for Display ♦ 23:93

Lechuga, Katherine

Aquazol as a Heat Set Adhesive for Textile Conservation Treatments ♦ 19:187

Lennard, Frances

Application of Digital Image Correlation to Tapestry and Textile Condition Assessment ♦ 19:156
Why We Do What We Do: Ethics and Decision-Making (Panel Discussion) ♦ 21:8
A Green Solvent for Textile Conservation?: Investigating the Use of Cycosiloxane D5 for Textile Conservation Cleaning ♦ 23:1
Working with Limited Resources: Improving Storage Conditions for Archaeological Textiles at University of Concepción ♦ 24:71

Lillethun, Abby

Identification, Characterization and Care of Mud-Coated Silks from Southeast China and Southeast Asia ♦ 19:102

Lin, Shu Hwa

Identification, Characterization and Care of Mud-Coated Silks from Southeast China and Southeast Asia ♦ 19:102
Digitization Video of Chinese Last Empire Dress Code ♦ 19:180

Lins, Andrew

Out of the Box: New Costume and Textile Storage at the Philadelphia Museum of Art ♦ 19:52
Water Shield Testing for the Philadelphia Museum of Art at Borroughs Site (video) ♦ 19

Lion, Violaine

The Conservation of Painted Wall Coverings from Clayton House, Pittsburgh, Pennsylvania ♦ 2:60

Lissa, Patricia

Documentation, Restoration and Display of a XVII Century Copy of the Holy Shroud, in Argentina ♦ 25:43
National Flags, the Bicentennial, and the Change of Criteria Regarding Conservation ♦ 27:263

Little, Sharon

Preventive Textile Conservation Care for a Collection of Functional Altar Frontals ♦ 9:25

Lorance, Leslie

The QR Code Quilt: Embedding Textile Conservation Outreach into the Fabric of an Exhibition ♦ 22:32

Love, Nancy

Preservation of Maya Textile Fragments Excavated Ninety Years Ago in the Yucatán: A Closer Look ♦ 7:12
The Conservation of Richard Greene or How an Object Became my Friend ♦ 14:93
A Tale of Two Treatments ♦ 27:139

Lucero Juez, Francisca A.

Working with Limited Resources: Improving Storage Conditions for Archaeological Textiles at University of Concepción ♦ 24:71

Luk, Cynthia

Revisiting the Treatment of 12th Century Mongolian Deels ♦ 20:67

Lusardi, Wayne

Identification and Degradation Analysis of Textiles Recovered from the Queen Anne’s Revenge Shipwreck ♦ 11:27


M

MacDonald, Marion

Mirror Imaging: The Art of Tapestry Revisited ♦ 11:11

Madden, Odile

Exploring Origins: The Technical Analysis of Two Yoruba Masquerade Costumes at the National Museum of African Art (Extended abstract) ♦ 26:185

Maguire, Cary Beattie

Form and Function: Fifties Furniture Becomes Fine Art ♦ 14:115

Mailand, Harold

Textile Conservation Treatments in a New Space ♦ 19:16

Mancera, Valeria López

Mend or historical evidence? ♦ 27:270

Mardikian, Paul

Conserving a Unique Waterlogged Silk Bandana from the H.L Hunley Submarine (1864) ♦ 18:38
Waterlogged Textiles Recovered from the H.L. Hunley: Identification and Conservation of Textiles Belonging to Lt. George Dixon ♦ 19:129

Marouf, Mohamed

Removal of Some Old Resins from Ancient Pile-Textiles: An Applied Study on a Turkish Rug ♦ 19:116

Martin, James S.

Technical Study of Painted Textiles: Surface Examination and Microscopical Analysis ♦ 6:61

Martínez, Inés Del Ángel Mejía

Mend or historical evidence? ♦ 27:270

Mathisen, Susan Anne

The Conservation of a Fan Using Microfiber Fabrics ♦ 3:57
The Use of Reemay in Wet Cleaning ♦ 5:64
Theorem Paintings: Potential Treatment Options ♦ 13:35

Mayhew, Frances Whitaker

An Eighteenth century Liturgical Garment Reveals Its Secrets ♦ 2:66
Oxidation Products in Artificially Aged Cellulose Film ♦ 10:39

Maynor, Catherine I.

The Paper Conservation Catalog: Lessons for the Textile Group ♦ 4:39

Mazza, Christopher

An Enlightened Perspective: Balancing Artist Intent with Conservation Concerns ♦ 28:141

McCarthy, Blythe

Rhapsody in Blue: Kingfisher Feather Cloisonné in the Arthur M. Sackler Gallery ♦ 12:45

McCloskey, Allison

Revisiting the Treatment of 12th Century Mongolian Deels ♦ 20:67
Off the Wall and Into the Round: Installing Josep Grau-Garriga’s Tapis Pobre ♦ 25:129

McDavis-Conway, Anya

Hair Consolidation and Treatment of an Insect Damaged Dancing Hat from Sierra Leone ♦ 16:87

McLaughlin, Beth

Inheriting the New Lab ♦ 19:10

McLean, Catherine C.

Pre-Program Textile Conservation Internships ♦ 3:65
Authenticating an Anatolian Carpet at the Los Angeles County Museum of Art ♦ 17:17

McClean, Taylor

The Effect Of Light-Emitting Diode Lamps (LEDs) On 19th-Century Dyed & Printed Cotton Fabrics ♦ 25:1

McNamara, Molly

A Question of Color for a 19th century Silk Fabric with Metal Threads ♦ 13:27

McPeek, Melinda

A Storage System for Archaeological Textile Fragments ♦ 11:59

Meijer, Susan

Learning From a Treatment That Did Not Go as Planned: The Use of an Adhesive Support Technique on an 1860s Dress ♦ 27:111

Meneses Lozano, Hector Manuel

Weavers Protecting Their Own Heritage: A Conservator’s Experience in the Community Museum of Teotitlán del Valle, Oaxaca, Mexico ♦ 20:121

Merrigan, Maureen

Unintended Consequences of the Use of Rare-Earth Magnets in Mounting Objects on Open Display ♦ 26:49

Merritt, Jane L.

The Development and Installation of a Purified Water System ♦ 5:15
Beyond Paper: Media Options in Conservation Documentation ♦ 6:31
Yet Another Padded Hanger ♦ 12:133

Méthé, Esther

Buyid Silks at the Textile Museum ♦ 17:63

Michalski, Stefan

Renewing the Past: Pressure Mounting Two Large Fragmented Flags ♦ 23:161

Migdail, Denise

In Consideration of the Thangka ♦ 24:97
A New 3M: Minimal Magnet Mounts ♦ 25:173

Miller, Ian J.

Conservation of Maori Textiles Decorated with Traditional Dyes ♦ 11:1

Miller, Keira

An Old Case of New Display: Contemporary and Historic Fashion at the Victoria and Albert Museum ♦ 23:57

Mina, Laura

The Observer Effect in Conservation: Changes in Perception and Treatment of a Man’s Silk Suit c. 1745 ♦ 21:17
Removing Dye Bleed from a Sampler: New Methods for an Old Problem ♦ 22:78
Hat Mounts for Egg Heads ♦ 25:181
A Biological Disaster to Costume ♦ 26:75
Foxy Underpants: Or the Use of Chelators, Enzymes, and Surfactants to Remove Foxing Stains from Linen Underpants ♦ 26:141

Mohamed, Safwat

Conservation Treatments Applied on Severely Damaged, Decomposed Sandals of King Tutankhamun ♦ 28:193

Moini, Mehdi

Dating Silk and Other Innovations in Mass Spectrometry ♦ 22:55

Montague, Meredith

pH Testing Methods in Textile Conservation ♦ 5:20
Improving Accessibility of a Textile and Fashion Arts Collection at The Museum of Fine Arts, Boston ♦ 15:53
Trading Places: The New Gabriella and Leo Beranek Textile and Fashion Arts Conservation Laboratory, Museum of Fine Arts, Boston ♦ 19:43

Montegut, Denyse

The Characterization and Identification of Azlons (Regenerated Protein Fibers) (abstract) ♦ 14:21
The Characterization and Identification of Faux Suede Materials ♦ 17:31

Morris, Bernice

Stressed about Pests? A Panel-Led Discussion on Integrated Pest Management ♦ 24:116

Muros, Vanessa

Characterization of Metal Threads From the Colonial Andes ♦ 17:81

Murphy, Erin

SEM Analysis of Metal Threads from the King’s Bed at Knole House, Kent, United Kingdom ♦ 28:189

Murphy, Miriam

The Creation, Implementation, and Safety 
of Digitally Printed Fabrics in Textile Conservation: Where Are We in 2012?
 ♦ 22:91
The Creation of a Digitally Printed Reproduction Sleeve for an 18th Century Painted Silk Dress ♦ 26:35
A Herringbone Stitch Variation for Use in Textile Conservation ♦ 28:153

Murray, Anne

Splitting Hairs: A Sampling Technique for Fibers ♦ 15:83

Myers Breeze, Camille

Hats off to Wet Cleaning! ♦ 5:87
The Evolution of American Tapestry Conservation ♦ 10:75
Conservation of Wall Coverings at Gillette Castle ♦ 14:55
A Peruvian-American Conservation Collaboration ♦ 18:88
Crossing the Boundaries Between Conservation Disciplines in the Treatment of Asian Thangkas ♦ 22:106
Evaluating and Choosing Sheer Overlays [Poster] ♦ 24:119
So You Say You Want a Revolution? An Innovative Low-Tack Adhesive Treatment for 18th-Century Silk Flags ♦ 27:1


N

Naunton, Maya

Use of Gel Poultices for Adhesive Removal ♦ 19:184

Newsome, G. Asher

Ambient Mass Spectrometry Analysis of Alizarin-Dyed Textile and Dye Transfer to Paper ♦ 28:127

Nichols, Alexandra

Applying fills to losses in a polyurethane foam chair at the Museum of Modern Art ♦ 27:260

Niinimaa, Gail

Costume and Textile Storage Upgrade at the Glenbow Museum, Calgary, Alberta ♦ 18:21
Tips and Tricks to Remove the Mud from Textile Collections after a Flood ♦ 26:171
Making Ethafoam Mannequins With a Computer Numerical Control Router ♦ 27:207

Nunan, Elizabeth

The Conservation of Three Hawaiian Feather Cloaks (abstract) ♦ 20:114


O

Obie, Chandra

Blown Up: Collaborative Conservation and Sustainable Treatment for an Inflatable Dress ♦ 24:11

O’Brien, Kevin

Out of the Box: New Costume and Textile Storage at the Philadelphia Museum of Art ♦ 19:52
Water Shield Testing for the Philadelphia Museum of Art at Borroughs Site (video) ♦ 19

Odegaard, Nancy

A Spot-Test Directory for Material Characterization: A Collaborative Effort ♦ 6:55
Pointing in the Right Direction: Identifying Technological Features to Orient Navajo Textiles ♦ 28:97

Ogden, Sherelyn

Conservation Outreach Activities at the Minnesota Historical Society ♦ 22:1

Ordoñez, Margaret

Identification of Dyes on Textiles from RI-1000, A 17th century Narragansett Indian Burial Site ♦ 6:79
Identification, Characterization and Care of Mud-Coated Silks from Southeast China and Southeast Asia ♦ 19:102
Repair of Twentieth-Century Leavers Lace ♦ 22:70
Comparison of Dry-Cleaning Sponges Used to Remove Soot from Textiles ♦ 28:179

Orlandini, Valeria

Microfade Testing of 19th Century Iron Gall Inks ♦ 20:167

Ornelas, Barbara Teller

Pointing in the Right Direction: Identifying Technological Features to Orient Navajo Textiles ♦ 28:97

Owens, Sarah J.G.

Retaining the Unknown: 
Ethical Considerations and Treatment of a South African Beaded Textile ♦ 21:68
Removing Modern Accretions: Hot-Melt Adhesive, Chewing Gum, and Pressure-Sensitive Tape ♦ 23:209


P

Paar, Rachel

Pre-Program Textile Conservation Internships ♦ 3:65

Pagán, Michele

Textiles for Emergency Salvage: The Absorbency of Micro-Denier Textiles and Other Standard Absorbent Materials (abstract) ♦ 26:199

Patterson, Robert

Adjustable Angle, Reusable Slant Boards for Mounting Hides and Textiles with Rare Earth Magnets ♦ 25:165

Paulocik, Chris

Wet Cleaning in 3-D ♦ 5:93
Costume Dilemmas: “Dangerous Liaisons” ♦ 16:55
Wide Format Digital Inkjet Printing for Textile Conservation ♦ 16:75

Paydar, Niloo

Establishing a Textile Dye Analysis Program at the Indianapolis Museum of Art ♦ 23:33

Peranteau, Anne

Identification of Mammal Skins Present in an Ngoni garment from Malawi using Mitochondrial DNA Analysis ♦ 27:19

Pereida, Alicia Nathalia CañIza

Mend or historical evidence? ♦ 27:270

Pérez, Urani Correa

Mend or historical evidence? ♦ 27:270

Perkins, Zoe Annis

Rigid Mount Support Systems for the Exhibition of Textiles Using Less Intrusive Sewing Methods ♦ 3:47
A Chilling Experience: The Treatment of a Robert Rauschenberg “Hoarfrost” Painting ♦ 13:95
A Flexible T-Bar Mount System for Textiles ♦ 28:159

Pesme, Christel

Comparison of Five Microfading Tester (MFT) Designs ♦ 20:144

Peterson, Jacquelyn

Thinking Big: Low-Cost Methods for Cleaning a Large Printed Textile ♦ 27:239

Petillo, Elizabeth Callison

Comparison of Treatments for Damage in Oriental Carpets ♦ 2:46

Phipps, Elena

The Design, Planning and Implementation of the Antonio Ratti Textile Center Textile Study and Storage Facility at the Metropolitan Museum of Art ♦ 7:87
Thirty Years of Microscope Imaging Technologies in the Textile Conservation Department, Metropolitan Museum of Art ♦ 19:77

Picharde, Rubén Héctor Buitron

The Preservation of Funerary Bundles in Peru: A Methodological Approach ♦ 27:266
Storage Systems for Funerary Bundles from Pre-Historic Peru ♦ 27:268

Piechatschek, Nadine

Sleeping Beauty: The Documentation and Treatment of an 1880s Herter Brothers Bergère ♦ 18:1

Pironti, Elinor Dei Tos

Stabilization of Urushi-based (Japanese Lacquer) Asian Metallic Threads ♦ 27:265

Plitnikas, Jill J.

Textile Fragments Associated with Flaked Stone Symbols from the Maya Site of Altun Ha, Belize ♦ 12:11

Podkanska, Malgorzata

An Eighteenth century Liturgical Garment Reveals Its Secrets ♦ 2:66

Pollak, Nancy

Another Perspective: Voices From Outside Textile Conservation (Panel Discussion) ♦ 21:1

Pouliot, Bruno P.

Hair Consolidation and Treatment of an Insect Damaged Dancing Hat from Sierra Leone ♦ 16:87

Preusser, Frank

Authenticating an Anatolian Carpet at the Los Angeles County Museum of Art ♦ 17:17

Price, Beth A.

Second Time’s the Curse: The Shattered Silks of Schiaparelli ♦ 15:43

Price, Lois Olcott

Assessing Collection Emergency Training and Response: The Risks of Adrenaline ♦ 26:99


Q

Quye, Anita

A Green Solvent for Textile Conservation?: Investigating the Use of Cycosiloxane D5 for Textile Conservation Cleaning ♦ 23:1
Let There Be Light? An Investigation into Light-Induced Changes of the Early Synthetic Aniline Dye Magenta under Indoor Lighting Conditions ♦ 28:111

R

Randolph, Julie

The Application of Pluronic Surfactants to Textile Conservation ♦ 9:37

Ravenel, Nancie

Another Perspective: Voices From Outside Textile Conservation (Panel Discussion) ♦ 21:1

Reed, Carol B.

Yet Another Padded Hanger ♦ 12:133

Reiter, Sara

Second Time’s the Curse: The Shattered Silks of Schiaparelli ♦ 15:43
Out of the Box: New Costume and Textile Storage at the Philadelphia Museum of Art ♦ 19:52
Water Shield Testing for the Philadelphia Museum of Art at Borroughs Site (video) ♦ 19

Rhee, Heasoon

The Chemical Interaction of Surfactants With Fibers, Especially Silk ♦ 3:28

Rigacci, Ivana

National Flags, the Bicentennial, and the Change of Criteria Regarding Conservation ♦ 27:263

Ritschel, Christina

Mrs. Butters Goes to the Ball Conservation of the Press Dress ♦ 18:72
Conservation of the Press Dress: A Video by the Australian Broadcast Company, Sunday Arts Segment (video) ♦ 18

Rivera, Catalina

The Conservation of a Historical Object: The Flag on which Chilean Independence was Sworn in 1818 ♦ 20:128

Rivera, Johanna

Conserving a Unique Waterlogged Silk Bandana from the H.L Hunley Submarine (1864) ♦ 18:38
Waterlogged Textiles Recovered from the H.L. Hunley: Identification and Conservation of Textiles Belonging to Lt. George Dixon ♦ 19:129

Rizzutto, Marcia de Almeida

Between the Ephemeral and the Immortal: considerations about the process of preserving Ticuna barkcloth (poster) ♦ 27:258

Román Torres, Rosa Lorena

The Seminar Workshop as an Educational Model: Teaching Textile Conservation at the Escuela Nacional de Conservación, Restauración y Museografía ♦ 15:37

Ross, Lauren

When Life Gives You Velvet ... Preservation Considerations in the Making of a Period Shadow Box Frame ♦ 23:191

Roussakis, Vuka

Display Methods for Small Textiles ♦ 6:12

Rousseau, Elise Yvonne

New Approaches in Comprehensive Mold Remediation & Recovery [Poster] ♦ 24:121

Russell, Maureen

Four Spanish Polychrome Processional Sculptures from the early 18th century and a Masterpiece in Focus ♦ 12:119


S

Saber, Medhat

Removal of Some Old Resins from Ancient Pile-Textiles: An Applied Study on a Turkish Rug ♦ 19:116

Sahmel, Katherine

Custom Skirt Hanger ♦ 15:87
Removing Dye Bleed from a Sampler: New Methods for an Old Problem ♦ 22:78

Sainz, Martha Contreras

Mend or historical evidence? ♦ 27:270

Salzman Chase, Ellen

Rhapsody in Blue: Kingfisher Feather Cloisonné in the Arthur M. Sackler Gallery ♦ 12:45

Scaturro, Sarah

Vial Things: Preserving the Unexpected in the Occult Jewelry of Simon Costin (Extended abstract) ♦ 26:191
Three-Dimensional Scanning to Create Custom Storage Forms for the Charles James Collection in the Costume Institute, Metropolitan Museum of Art ♦ 27:191
An Enlightened Perspective: Balancing Artist Intent with Conservation Concerns ♦ 28:141

Schaeffer, Elizabeth

New And Current Materials And Approaches For Localized Cleaning In Textile Conservation ♦ 23:109

Schaeffer, Terry T.

Assembled Over Time: Analysis of Dyed Yarns in a Victorian Sample Book (abstract) ♦ 17:77

Schindel, Terri

Conservation of Grave Garments from Spanish Colonial Santa Fe 1690-1710 ♦ 1:46

Schmalz, Susan R.

Addressing Some Problems in Textile Photodocumentation ♦ 6:46
When Patching is Impractical: Nontraditional Compensation for Loss in a Quilt ♦ 8:1

Schmitt, Emma

Gelling in Theory and Practice: An Examination of Agarose Gels in Textile Conservation ♦ 26:157

Schoonmaker, Kirsten

Making the Mold: Exploring the Use of Fosshape in Upholstery Conservation ♦ 27:65

Schuetz Stryker, Emily (see Stryker, Emily Schuetz, below)
Scott, David

Characterization of Metal Threads From the Colonial Andes ♦ 17:81

Selvius Deroo, Cathy

Analysis of Organic Dyes in Textiles by Direct Analysis in Real Time – Time-of-Flight Mass Spectrometry (Extended abstract) ♦ 24:113

Serban, Sara

Inherent Vice in the Woven Structure of Northwest Coast Spruce Root Hats ♦ 26:21

Shaftel, Ann

Spiritual, But Fake? ♦ 17:47

Shepard, Lara

Identification of Mammal Skins Present in an Ngoni garment from Malawi using Mitochondrial DNA Analysis ♦ 27:19

Sheesley, Samantha

Artist Interviews as Tools for Diligent Conservation Practice ♦ 17:107

Shibayama, Nobuko

Removing Dye Bleed from a Sampler: New Methods for an Old Problem ♦ 22:78

Shiner, Jerry

The Modern Bridal Gown: The Manufacture, Distribution, and Care of a Ritual Garment at the Turn of the 21st century (abstract) ♦ 9:43

Shuster, Elizabeth

Vacuuming Textiles: A New Kind of Cost Benefit Analysis ♦ 19:194

Sigurdardottir, Sigurros

Compensation for Loss in Textiles Using Commercially Available and Easy to use Artists’ Coloring Materials: Evaluating Their Stability, Fiber Compatibility and Aesthetics ♦ 7:63

Silence, Patricia

A Disaster? Injuring Ourselves Through the Work We Love ♦ 8:79
Results of an Ergonomics Survey for Textile Conservators ♦ 9:45
Stressed about Pests? A Panel-Led Discussion on Integrated Pest Management ♦ 24:116

Singer, Gail

Hanger-Mannequins at the United States Holocaust Memorial Museum ♦ 10:69

Smith, Gerald J.

Conservation of Maori Textiles Decorated with Traditional Dyes ♦ 11:1

Smith, Gregory D.

Establishing a Textile Dye Analysis Program at the Indianapolis Museum of Art ♦ 23:33
Seeing the Light: Conservation and Exhibition of a 1980s Daylight Fluorescent Painted Leather Jacket ♦ 25:95

Smith, Kate

Crossing the Boundaries Between Conservation Disciplines in the Treatment of Asian Thangkas ♦ 22:106

Smith, Nicola

Protecting the Most Important, Most Exhibited and Most Fugitive Museum Objects from Light-Fading ♦ 20:156

Sobel, Harry

Effect of the Environment on the Degradation of Silk: A Review ♦ 2:14

Solazzo, Caroline

Dating Silk and Other Innovations in Mass Spectrometry ♦ 22:55

Soll, Valerie

Barrier Materials for Humidification: A New Option? ♦ 27:247

Spicer, Gwen

Supporting Tears in Leather ♦ 7:57
Mounts Altered: Mounting Textiles to Meet the Needs of Clients ♦ 16:1
A Versatile Mannequin Design ♦ 21:30
Ferrous Attractions: The Science Behind the Magic ♦ 23:125
An Introduction to the Triboelectric Series ♦ 28:163

Srinivasan, Rekha

Fourier Transform-Infrared Microspectroscopy as an Effective Tool for Single Fiber Identification and Fiber Structural Analysis ♦ 10:25

Stevens, Sarah C.

The Development of a Sectional Trampoline Mount, Or How to Fit an 8 by 12 Foot Framed Flag Into an Elevator with a 7 by 5 Foot Door ♦ 14:85
The New York State Battle Flag Preservation Project: Ten Years Later ♦ 20:76

Stevenson, Marissa

The Humming Bird 2: Using Fosshape as an Alternative Backing for Fiber Art Sculpture [Poster] ♦ 24:123

Stockebrand, Lisa

Custom Skirt Hanger ♦ 15:87

Stryker, Emily Schuetz

A Conservation “Circuit Rider:”
An Innovative Approach to Preservation for Dispersed Collections ♦ 22:46

Suh, Kisook

Conservation of a Safavid Persian Carpet Fragment: Two Different Approaches to Treatment in 1980 and 2010 ♦ 21:81
Application of Multispectral/Multiband Imaging in the Practice of Textile Conservation: Documentation, Investigation, and Communication ♦ 28:83

Summerour, Rebecca

Removing Modern Accretions: Hot-Melt Adhesive, Chewing Gum, and Pressure-Sensitive Tape ♦ 23:209
A Case Study using Multiband and Hyperspectral Imaging for the Identification and Characterization of Materials on Archaeological Andean Painted
Textiles ♦ 24:23
Exploring Origins: The Technical Analysis of Two Yoruba Masquerade Costumes at the National Museum of African Art (Extended abstract) ♦ 26:185

Sundstrom, Nils

Making Ethafoam Mannequins With a Computer Numerical Control Router ♦ 27:207

Sutcliffe, Howard

Second Time’s the Curse: The Shattered Silks of Schiaparelli ♦ 15:43
Tiraz Textiles: A Review of Past Treatments in Preparation for the Opening of the New Gallery of Islamic Art at
 the Detroit Institute of Arts
(Extended abstract)
♦ 22:101
From North to South: The Conservation of Civil War Costume from the Tennessee State Museum ♦ 24:37

Sutherland, Ken

Second Time’s the Curse: The Shattered Silks of Schiaparelli ♦ 15:43
Removing Dye Bleed from a Sampler: New Methods for an Old Problem ♦ 22:78

Szuhay, Beth

Developing a Protocol for Analysis of Textile Finishes on Wool ♦ 10:1
The Unfolding of a Sticky Situation: The Treatment of a 19th-century Temple Hanging ♦ 11:19
New Lab Space, New De Young 19:33
Why We Do What We Do: Ethics and Decision-Making (Panel Discussion) ♦ 21:8


T

Tamborini, María Pía

Documentation, Restoration and Display of a XVII Century Copy of the Holy Shroud, in Argentina ♦ 25:43

Takami, Mika

Collaborative Treatment of a Native American Robe from the Miami Community with Silk Ribbonwork and Metal Decoration ♦ 12:85

Takamura, Erika

Photoyellowing and Photobleaching of Silk and Wool Fabrics Under Monochromatic and Multichromatic Light Radiation ♦ 15:75

Tao, Chong

Development of a Microfading Tester for Light Exposures Including Near-Ultraviolet Wavelengths ♦ 20:181

Teeters-Eichacker, Mary Jane

The QR Code Quilt: Embedding Textile Conservation Outreach into the Fabric of an Exhibition ♦ 22:32
Take a Picture; It’ll Last Longer:
 How a Ceiling Mounted Digital Camera Helped Improve Preservation and Access to a Quilt Collection ♦ 22:138

Te Kanawa, Rangi

Conservation of Maori Textiles Decorated with Traditional Dyes ♦ 11:1

Theile, Johanna

Characterization of Metal Threads From the Colonial Andes ♦ 17:81

Thomassen-Krauss, Suzanne

The Cost of Conservation: Preserving a National Treasure – The Star-Spangled Banner Project ♦ 9:19
Too Much Information: Finding The Balance Between Aiding Researchers and Providing a Blueprint for Forgery (abstract) ♦ 17:75

Tiedemann, Erica J.

Fiber-Safe Extraction of Red Mordant Dyes ♦ 6:91

Tinkham, Rebecca

Effectiveness of Soil Removal by Two New Nonionic Surfactants, Orvus WA Paste and Surfactant Blends ♦ 11:47

Tonkin, Leanne C.

Comparative Approaches in Textile Conservation: The Whalley Abbey Vestments and Altar Frontal ♦ 20:88
Camera Rolling, Speed...and Action: Exhibiting the Conservation of Banners Through Film ♦ 22:7

Torres, Rosa Lorena Román

Mend or historical evidence? ♦ 27:270

Trojan-Bedynski, Maria

Microfade Testing of 19th Century Iron Gall Inks ♦ 20:167

Tower, Johanna

A Worthwhile Endeavor: The Conservation of a Worth and Bobergh Ensemble ♦ 27:125

Trupin, Deborah Lee

Documentation: More Than Just Paper – New York State Style ♦ 6:37
The Saga of New York State’s Battle Flags: How to Fund Conservation for a “Heritage at Risk” ♦ 9:49
The Conservation of Frederic E. Church’s Leather Arm Chair ♦ 12:67
The Development of a Sectional Trampoline Mount, Or How to Fit an 8 by 12 Foot Framed Flag Into an Elevator with a 7 by 5 Foot Door ♦ 14:85
An Alternate Approach for Rug and Carpet Cleaning ♦ 19:171

Tse, Season

Measuring Silk Deterioration: Investigation into the Usefulness of High-Performance Size-Exclusion Chromatography (abstract) ♦ 9:51
Preliminary Study of a Micro Extraction Method for Measuring the pH of Textiles ♦ 15:63
Microfade Testing of 19th Century Iron Gall Inks ♦ 20:167

Tully, Ellen D.

The Conservation of a circa 3rd century BCE Chinese Bronze Dagger-Axe with Organic Remains ♦ 12:37


U

Uhlir, Shelly

Belt It! Solutions to a Dressing Problem ♦ 18:56
Dancing on a Wire: Articulation Solutions for Mannequins in the Circle of Dance Exhibition at NMAI-NY ♦ 23:141

Unruh, Julie

Severely Degraded Textiles on Archaeological Artifacts at the Agora Excavations in Athens, Greece ♦ 12:25


V

Van Es, Marieke

The Use of Paper-Based Materials for the Treatment of Plant Fibers ♦ 28:49

Varga, Lauren M.

A Hand-Held Surface Suction Device: Design, Construction and Application ♦ 17:93

Varnell, Cara L.

From Tubs to Tables: A Survey of Wet Cleaning Equipment Used in Textile Conservation ♦ 5:53
A Reporter, an Archive, a Dress and its Conservator, Going Viral in the 21st Century ♦ 22:42

Vasquez Arazoza, Alina (see Arazoza, Alina Vasquez, above)
Viera, Ana Carolina Delgado

Between the Ephemeral and the Immortal: Considerations about the Process of Preserving Ticuna Barkcloth (poster) ♦ 27:258

Vuori, Jan

Wet Cleaning of an Oversized Textile on a Vacuum Wash Table: A Treatment Phase of the Gondar Hanging at the Canadian Conservation Institute ♦ 5:79
Preliminary Study of a Micro Extraction Method for Measuring the pH of Textiles ♦ 15:63
Wide Format Digital Inkjet Printing for Textile Conservation ♦ 16:75
Renewing the Past: Pressure Mounting Two Large Fragmented Flags ♦ 23:161


W

Wagner, Mark J.

A Preliminary Evaluation of Lining and Surface Patching Techniques for Doped Aircraft Fabric ♦ 28:187

Walker, David E.

Surfactants in Textile Conservation ♦ 5:29

Walker, Reneé

Plastics in Twentieth-century Costume Collections ♦ 14:125

Wärmländer, Sebastian

Characterization of Metal Threads From the Colonial Andes ♦ 17:81

Webb, E. Keats

A Case Study using Multiband and Hyperspectral Imaging for the Identification and Characterization of Materials on Archaeological Andean Painted
Textiles ♦ 24:23

Weber, Joseph

Failure to Bind: A Re-Examination of the Aging of Hook and Loop Fasteners ♦ 20:115

Wellnitz, Susan

Balancing Act: Determining Textile Conservation Treatments Working within Budgetary Concerns of the Client and the Textile Conservation Center ♦ 9:53

Westerman Bulgarella, Mary (see Bulgarella, Mary Westerman, above)

Whelan, Virginia J.

Textile Conservation Issues: Dry-Cleaning an Historic Textile ♦ 6:94

Whitmore, Paul M.

Development of a Microfading Tester for Light Exposures Including Near-Ultraviolet Wavelengths ♦ 20:181

Wickens, Joelle D.J.

Finding Support: Reassessing and Developing a new Support System for Original Upholstery ♦ 20:41
Preliminary Results from an Investigation 
into the Color Shift from Purple to Brown in a Set of Madder-Dyed Cylinder-Printed Furnishing Fabrics from the Winterthur Museum ♦ 22:116
Assessing Collection Emergency Training and Response: The Risks of Adrenaline ♦ 26:99

Williams, Helen R.

Application of Digital Image Correlation to Tapestry and Textile Condition Assessment ♦ 19:156

Willman, Polly

Update – Costume Display Methods ♦ 6:9

Windsor, Deirdre

A View from the Top: Reinstallation of the Rhode Island State House Tapestries ♦ 1:6
To Clean or Not to Clean? Decision Making for Textile Wet Cleaning ♦ 5:39
The Influence of Disaster Recovery on the Reinstallation of Historic Wall Coverings ♦ 7:94
Preserving the Historic Document: Minimal Conservation Intervention for 18th- and 19th-century Needlework and Pictorial Embroidery ♦ 10:89
Catch the Wave: A Flexible New Option for Quilt Display ♦ 14:77
From the Top Down: Dressing the Historic Bed—Developing Mounting Systems from a 21st- Century Conservation Perspective ♦ 27:83

Wolbers, Richard

The Application of Pluronic Surfactants to Textile Conservation ♦ 9:37
Hair Consolidation and Treatment of an Insect Damaged Dancing Hat from Sierra Leone ♦ 16:87

Wolf, Sara J.

Evaluating Textile Treatments: Discussing the State-of-the-Art ♦ 1:17
The Effects of Wet-Cleaning on Dry-Site Archaeological Textiles: Results of a Study ♦ 2:7
The Textile Conservation Catalog to Date ♦ 4:45
Reevaluating the Crafts Traditions of Textile Conservation (abstract) ♦ 8:85


Y

Yang, Yiqi

Fiber-Safe Extraction of Red Mordant Dyes ♦ 6:91

Yarema-Wynar, Olha

The Mortlake Horses: A Collaborative Approach to the Conservation of a Seventeenth-Century British Tapestry at the Metropolitan Museum of Art ♦ 28:17

Yoshizumi, Kunio

Photoyellowing and Photobleaching of Silk and Wool Fabrics Under Monochromatic and Multichromatic Light Radiation ♦ 15:75

Young, Lisa

Saving America’s Treasures: Threatened Artifacts from the Apollo Era ♦ 12:97


Z

Zaharia, Florica

The Department of Textile Conservation at the Metropolitan Museum of Art ♦ 19:66

Zaret, Cathleen

A Turkish Kilim: Analysis, Stabilization and Loss Compensation ♦ 25:77
A Biological Disaster to Costume ♦ 26:75
Feeling a Little Blue(Green): Effort to Reduce Staining on a Flood-Damaged Zuni Textile (abstract) ♦ 26:197

Zepeda, Nicolás Gutiérrez

Mend or historical evidence? ♦ 27:270

Zimmt, Werner

A Spot-Test Directory for Material Characterization: A Collaborative Effort ♦ 6:55

Zoldowski, Abby

The Effects of Long Term Display on Previous Treatments ♦ 20:102
Making the Mold: Exploring the Use of Fosshape in Upholstery Conservation ♦ 27:65

Zweifel, Sophia

The Characterization of Foxing on Textiles ♦ 27:37


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