Back to the Objects Page
Objects Specialty Group Conservation Wiki
Contributors: Christopher Watters, Jeneva Wright
Your name could be here! Please contribute.
Copyright: 2011. The Objects Group Wiki pages are a publication of the Objects Specialty Group of the American Institute for Conservation of Historic and Artistic Works. The Objects Group Wiki pages are published for the members of the Objects Specialty Group. Publication does not endorse or recommend any treatments, methods, or techniques described herein.
Metals conservation is the conservation and preservation of cultural materials with metallic properties. Objects can include pure metals, metal alloys, corrosion products, or composite artifacts. Metals most often encountered in conservation include gold, silver, copper, iron, lead, tin, nickel, zinc, aluminum, chromium, titanium, and their alloys.
- 1 Materials and technology
- 1.1 History
- 1.2 Materials
- 1.3 Technology
- 1.4 Identification
- 1.5 Deterioration
- 2 Conservation and care
- 3 References
- 4 Further reading
Materials and technology
Metals have been used for tools, weapons, jewellery, money, sculpture, and architecture. The use of metals started more 8,000 years ago and is one of the major technological developments in human history.
Developments in metallurgy are often used to classify historical time periods, for example:
- the Bronze Age (~3000-1200 B.C.)
- the Iron Age (after ~1200 B.C.)
- the Industrial Revolution (~1750-1850 A.D.)
- the Post-Industrial or Modern Era (after ~1850 A.D.)
The type of metal or metal alloys and the construction of an object can often be used to determine the date and place of manufacture. Important metals and their approximate date of first use are listed in Table 1.
Metal ores are minerals that can be converted to metal through smelting or other refining processes. Most ores are oxides or sulphides of a particular metal or combination of metals. Often more than one metal can be refined from a particular metal ore. A list of common metals and some of their ores are in Table 2.
Structure of Metals
Metals are a crystalline material. Atoms arrange in a regular repeating lattice structure and this structure is a crystal. As a metal cools and goes from a liquid phase to a solid phase, crystals form into 'grains'. Most metal consist of many grains bound together. Classifications of these crystalline lattice structures include face-centered cubic and body-centered cubic. The working properties of a metal greatly depend on which structure the atoms fall into and how the metal grains fit together.
Important working properties of metals include: ductility, malleability, tensile strength, work-hardening, and annealing. Table 3 shows some relative working properties of common metals.
Nobility of Metals
Metals are often describe as a noble or a base metal. Noble metals are less reactive than base metals. The degree of nobility is often referenced in a relative scale referred to variously as an electromotive, electrochemical, or galvanic series. Individual metals and their alloys can be ranked in order of their nobility by measuring their electric potential with a reference electrode in standard conditions. Below is the ranking of some common metals:
MORE NOBLE...Gold> Platinum> Silver> Mercury> Copper> Lead> Tin> Iron> Zinc> Aluminum...LESS NOBLE
Other physical properties
A number of physical properties affect the usefulness of metal in the manufacture of objects including: melting point, hardness, electrical conductivity, thermal conductivity, corrosion potential, and heat capacity. Alloying can greatly alter physical properties in complex ways. Pourbaix diagrams can be useful in understanding how alloying affects physical properties. Even within pure metal elements, a change in crystalline structure can alter physical properties, for example work hardening copper increases hardness.
|Mercury||-38.83 ⁰C (-37.89 ⁰F)|
|Tin||231.93 ⁰C (449.5 ⁰F)|
|Bismuth||271.4 ⁰C (520.52 ⁰F)|
|Zinc||419.53 ⁰C (787.2 ⁰F)|
|Aluminum||660.32 ⁰C (1220.6 ⁰F)|
|Silver||961.78 ⁰C (1763.2 ⁰F)|
|Copper||1064.62 ⁰C (1948.3 ⁰F)|
|Nickel||1455 ⁰C (2651 ⁰F)|
|Iron||1538 ⁰C (2800.4 ⁰F)|
|Titanium||1668 ⁰C (3034.4 ⁰F)|
|Platinum||1768.4 ⁰C (3215.1 ⁰F)|
|Chromium||1907 ⁰C (3464.6 ⁰F)|
Smelting is the process of refining metal ore into metal using heat. Extensive research on the history and development of smelting technology has been done in archaeometry and archaeometallurgy fields (see Tylecote 1976, Craddock 1995).
General metalworking techniques
Typical metalworking techniques include: casting, forging, folding, sawing, cutting, hammering, raising, bending, drilling, filing, piercing, sanding, polishing, chasing, snarling, annealing, work hardening, spinning, turning, and rolling.
Metal joining techniques
Typical joining techniques for metals include: soldering, brazing, welding, fusing, mechanical joining, and gluing.
Decorative techniques for metals
Decorative techniques for metals include: etching, engraving, plating, inlay(damascening), overlay(false damascening), granulation, filigree, patination, repousse, die forming, niello, pattern welding, mokume gane, and enameling.
Visual examination and analytical techniques, such as: spot tests, X-radiography, X-ray florescence, X-ray diffraction, Scanning Electron microscopy, RAMAN spectroscopy, and metallography
Corrosion is the most common form of deterioration associated with metals and is caused by environmental factors or contact with corrosive substances. Environmental factors include exposure to moisture and air pollution. Salts, acids, and alkalis are all corrosive substances depending on the metal (Thomson 1978). Depending on the material and conditions, effects of corrosion can range from a minor change in color to a complete loss of metal. It is important to note that corrosion is not considered deterioration when it forms a 'patina' on the object.
The Michael C. Carlos Museum website provides useful K-12 teaching materials, including this tutorial on corrosion.
Other types of deterioration include physical damage and inherent vice. Physical damage can be can caused by abrasion, impact, or load stress and may result in loss of surface, breaks, bends, scratches, dents, or cracks. Examples of inherent vice that can facilitate deterioration include improper alloying, working flaws, and composite objects made of incompatible materials.
Metals and Moisture
When two dissimilar metals are in direct contact in the presence of an electrolyte, one metal will preferentially corrode in a electrochemical process called galvanic corrosion. The more noble metal will act as the cathode accepting electrons and corroding the less noble metal.
Conservation and care
This information is intended to be used by conservators, museum professionals, and members of the public for educational purposes only. It is not designed to substitute for the consultation of a trained conservator.
- To find a conservator, please visit AIC's Find a Conservator page.
- To learn how you can care for your personal heritage, please visit AIC's Resource Center.
Guidelines for the photographic documentation of metal and other three-dimensional objects can be found on the AIC Guidelines for Practice.
The documentation and preservation of microstructure is an important consideration in metals conservation. The microstructure can hold evidence of an objects working history that can be lost if heat or mechanical treatments are employed. Metallographic techniques can document the grain structure. (Scott 1991)
With the exception of the noble metals (gold, platinum, rhodium, etc.), most metals readily undergo oxidation in an uncontrolled environment. Efforts in preventive conservation of metals typically focus on reducing the rate of oxidation. While many aspects of standard professional preventive care apply to metal objects, it is often necessary to apply more rigorous handling and environmental standards to metal objects.
GLOVES SHOULD ALWAYS BE WORN WHEN HANDLING METAL OBJECTS because metals, especially highly polished metals, are very reactive to the oils and salts of human skin. While there are some exception to this statement, the widespread damage of objects by etched fingerprints should urge professionals to err on the side of caution. Most uncoated metals are particularly susceptible to damage when handled with bare hands.
Cleaning is an irreversible treatment and must be carefully considered. Although metal objects often appear more robust than other materials, cleaning treatments can significantly alter the appearance and condition of the object. A metals conservator may clean metals in order to enhance an object's appearance, prevent further deterioration, or to maximize treatment effectiveness. Metal objects often have deliberate surface treatments that can be damaged by cleaning.
Mechanical cleaning commonly includes the use of cutting tools like scalpels, chisels, and drills often with magnification and also includes the use of abrasive cleaning such as sanding, polishing, or mediablasting techniques. Damage by mechanical cleaning occurs when tools or abrasives are used too aggressively and contacts the underlying metal surface, usually resulting in the loss of original material. Softer metals such as gold, silver, and lead are particularly susceptible to mechanical damage, but all metals can be damaged in this manner.
Mechanical, solvent, chemical, aqueous, poultices, pastes, or gels; reduction of surface dirt, grime, accretions, or stains; removal/reduction of non-original coatings or restorations; etc. </span>
====Reduction of corrosion products ====
For metals. mechanical, electrochemical/electrolytic, or chemical processes; etc.
A galvanic wrap is a process of electrochemical cleaning that can be used for small metal artifacts after documentation, examination, and basic cleaning Hamilton, 2000. This technique relies on the interaction between metals with different properties of nobility. ìSome metals known as base metals are much more likely to corrode than the noble metals of gold and silver.Where two metals are in contact, a particular type of corrosion occurs so that the more base metal corrodes faster than usual whilst the more noble corrodes more slowly the more noble metal is protected from attackî Cronyn, 1990:171. For galvanic wraps, the evolution of hydrogen bubbles emerging from the surface of the artifact results in an electrochemical reduction of the objectís corrosion and removes chlorides Hamilton, 2000.
Galvanic wraps may be used as a low cost electrochemical cleaning method that requires little equipment. The process involves tightly wrapping the artifact with a metal of lower nobility (such as aluminum foil), and then placing it in an electrolyte solution, such as a sodium carbonate or sodium bicarbonate solution Pearson, 1987. There is no time limit to the treatment (prolonged submersion in the solution will not in itself damage the artifact); however, the aluminum foil acting as cathode will eventually completely oxidize Hamilton, 2000. The artifact may require several repetitions of this process to fully remove corrosion products.
This treatment has some significant disadvantages. There is some potential that the artifact could be damaged in treatment, as the stripping of corrosion products can remove delicate surface evidence, and in some cases, corrosion pits can form Cronyn, 1990. This treatment is also a very slow extraction process, and as the surface of the artifact is covered by the anodic wrap, it is difficult to monitor chloride extraction and corrosion reduction Hamilton, 2000. To speed up the process, heating is sometimes advised, but this requires a fume hood to protect the conservator from caustic gases, as well as constant supervision of the artifact Hamilton, 2000. This is impractical for a long treatment plan, and lessens the benefit of the treatment requiring minimal equipment. Thus, although galvanic wrapping can serve as a low-cost, basic technique to electrochemically clean small metal artifacts, one should also be advised it could be complicated by large artifacts, the need for a faster treatment time, or heavy concretions. As noted by the Texas A&M Nautical Archaeology Program Conservation Research Laboratory, "Those amateurs who have been told that it is a simple method that can readily be performed on the kitchen stove are advised to forget it" Hume, 1969:276.
Consolidation, desalination, deacidification, corrosion inhibitors; etc.
Humidification, reshaping, removal of deteriorated previous structural repairs, structural fills, joining, mending, etc.
====Aesthetic reintegration ====
Loss compensation, fills, casting, molding, re-touching, finishing, etc.
Polishing, coatings, etc.
If appropriate: This section heading should be used if the treatment being discussed does not fit into any of the other heading categories.
Cronyn, J. 1990. Elements of Archaeological Conservation. Routledge Publishers, London, p. 171.
Hamilton, Donny L. 2000. Texas A&M Conservation Research Laboratory. Texas A&M Conservation Research Laboratory, Nautical Archaeology Program, Texas A&M University. ìIron Conservation, Part 1: Galvanic Cleaning,î  (accessed 4/10/13).
Hume, Ivor Noel. 1969. Historical Archaeology. Knopf, New York, p. 276.
Lide, D.R. (ed.) 2003. CRC Handbook of Chemistry and Physics: 84th edition 2003-2004. Boca Raton, FL: CRC Press, LLC.
Pearson, Colin. 1987. Conservation of Marine Archaeological Objects. Butterworth, London.
Scott, D. A. 1991 Metallography and Microstructure of Ancient and Historic Metals The Getty Conservation Institute and J. Paul Getty Trust: Archetype Books
Selwyn, L. S. 2004 Metals and corrosion: A handbook for the conservation professional. Ottawa: Canadian Conservation Institute.
Thornton, J. 2007. Unpublished class notes, Art Conservation Department, Buffalo State College State University of New York.
Tyelcote, R.F. 1976 A History of Metallurgy. London, UK: The Metals Society
The history of metals:
Tyelcote, R.F. 1976 A History of Metallurgy. London, UK: The Metals Society
Craddock, Paul T. 1995 Early Metal Mining and Production. Washington, DC: Smithsonian Press
Treatment for metals:
Cronyn, J.M., and W.S. Robinson. 1990 The Elements of Archaeological Conservation. London, UK: Routledge
Back to the Objects Page